 |
|
|
| Education | ||
| 1976–1981 | Archeology and art criticism department of the Humboldt University of Berlin, graduation certificate - diploma | |
| Professional experience | ||
| 2006 | Reviewer of "FotoFest Houston/Texas" and "FotoFest Peking" Member of the editorial board of the magazine European Photography Member of Fine Arts / Exhibitions Board of the Goethe-Institut Munich Member of the Board on Art of the Federal Land Berlin | |
| 2005 | Awarded the Gold Cross of Merit of the Polish Republic | |
| since 2003 | Board member of the Berlin Photography Festival | |
| since 2000 | Executive director of Künstlerhaus Bethanien GmbH | |
| 1994 | Co-founder and until 2003 the second chairman of the Brandenburg Art Union of Potsdam e. V. | |
| since 1991 | Project manager of Künstlerhaus Bethanien Berlin and co-editor of the magazine BE | |
| 1990 | Temporary gallery activities, co-founder of the "Galerie Vier" ("Gallery Four") in Berlin | |
| 1984–1990 | Freelance critic and curator of exhibitions in Berlin and Eastern Europe, publisher of literature on art, music cassettes and records in the private publishing house "URSUS PRESS" | |
| 1984 | Dismissal | |
| 1981–1984 | Secretary of the Central Workgroup of Young Artists attached to the Central Committee of the Artists’ Union of the GDR | |
| Main spheres of work | ||
| Contemporary art (organization of exhibitions and art criticism) | ||
| Curator projects (selected) | ||
| "Urban Realities. Focus Istanbul", Martin-Gropius-Bau, Berlin, 2005 (with a catalogue) "Moscow/Berlin 1950–2000", Moscow, 2004 (with a catalogue) "Moscow/Berlin 1950–2000", Martin-Gropius-Bau, Berlin, 2003 (with a catalogue) "The 2nd Biennale of Sculpture in Muensterland", 2001 (with a catalogue) | ||
| Texts | ||
|
In: Reflections – Filmic Subversion in the GDR 1976-1989, Texts – Pictures – Dates (Gegenbilder – Filmische Subversion in der DDR 1976–1989, Texte – Bilder – Daten), Ed.: Karin Fritzsche, Claus Löser, Janus Press, Berlin, 1996 | ||
| In: We always want to be like..., Punk, New Wave, Hip-Hop, Independent Scene in the GDR 1980-1990 (Wir wollen immer artig sein ..., Punk, New Wave, Hip-Hop, Independent Szene in der DDR 1980–1990), Ed.: Ronald Galenza, Heinz Havemeister, Schwarzkopf & Schwarzkopf Verlag, Berlin, 1999 | ||
| In: The Artist, the Critic, the Mediator, the Recipient. Over the Gaps to the Boundaries (Künstler, Kritiker, Vermittler, Rezipient. Über Abgründe an Grenzen), Ed.: Irmgard Bohunovsky-Bärnthaler, Series: Ritter Theorie, Ritter Publishing House, Klagenfurt and Vienna, 2004 | ||
| Men in Black, Handbook on Curator Practice (Men in Black, Handbuch der kuratorischen Praxis), Ed.: Christoph Tannert / Ute Tischler, House for Artists Bethanien, Revolver – Archive of actual art, Frankfurt/Main, 2004 (german/english) | ||
| New German Painting, Ed.: Christoph Tannert, Prestel Verlag, Munich/New York, 2006 (german/english) | ||
Christoph Tannert
