In the theatre, attention is formed, focused and temporally extended under special conditions. Of the peculiar experience of the present on stage.More ...
The independent theatre scene in Germany is large and vital. As an ideal-type, it stands in contrast to the large sphere of state and municipal theatres.More ...
German municipal theatres have long been internationally networked. Now the linguistic boundaries are also beginning to fall away: foreign languages are being spoken on the German stage.More ...
The International Shadow Theater Festival, which took place from October 12 to 18, every three years turns Schwäbisch Gmünd into the international meeting place of contemporary shadow theater.More ...
Finding a play for performance is a process of lengthy discussions between dramaturge and artistic director. What has to be taken into account?More ...
The 2012 Theater Meeting clearly showed what has changed in German theater: the importance of the independent scene has increased and forms of production have changed.More ...
The concept of the author has changed. A publisher now represents not only the traditional rights of an author, but also the projects of authors and authors’ collectives.More ...
Classics such as Chekhov’s The Cherry Orchard are currently being performed particularly often. But when it comes to the crisis, theater makers are also looking for new ways of presenting a problem.More ...
Children’s and young people’s theatre in Germany is varied and lively – thanks to its becoming more permeable to other kinds of performance and to adult theatre.More ...
In Stuttgart, the citizens are protesting. The theatre director Volker Lösch foresaw the conflict, put it on stage and is now energetically putting his oar in.More ...
At the Munich Schauburg, researchers presented projects with which federal states, cities and individual theatres hope to woo the audiences of tomorrow.More ...
