Deutsches Theater: Stratford Shakespeare Festival – Lessing’s Emilia Galotti
Ort: Stratford
Ereignis:Das Goethe-Institut Toronto unterstützt die international ausgezeichnete Produktion von Lessings Klassiker "Emilia Galotti" in der modernen Bearbeitung von Regisseur Michael Thalheimer als erste ausländische Produktion in Nordamerikas gröβtem Theaterfestival in Stratford.
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Stratford Shakespeare Festival has scored a coup in bringing the legendary Deutsches Theater Berlin and its acclaimed production of Lessing’s 1792 classic Emilia Galotti to Canada. Director Michael Thalheimer’s extraordinary vision for the play makes it a timeless universal.
The production is theatre as pure artifice. Every word uttered, every movement, every pause, every facial expression is meticulously choreographed on an empty stage. Thalheimer has created physical theatre that acts out the subtext. The words are only the surface veneer. For example, when Prince Gonzaga hears Emilia’s name mentioned -- the young virgin he covets -- his body literally convulses in waves of lust. This is a play where everything inside and outside is shown.
The play is agonizingly slow at times, but that glacial pacing allows the audience to absorb the surprising visual and aural images. The brilliant seven-member cast make themselves totally vulnerable in both their verbal and body language.
(…)
Ereignis:Das Goethe-Institut Toronto unterstützt die international ausgezeichnete Produktion von Lessings Klassiker "Emilia Galotti" in der modernen Bearbeitung von Regisseur Michael Thalheimer als erste ausländische Produktion in Nordamerikas gröβtem Theaterfestival in Stratford.
(…)
Stratford Shakespeare Festival has scored a coup in bringing the legendary Deutsches Theater Berlin and its acclaimed production of Lessing’s 1792 classic Emilia Galotti to Canada. Director Michael Thalheimer’s extraordinary vision for the play makes it a timeless universal.
The production is theatre as pure artifice. Every word uttered, every movement, every pause, every facial expression is meticulously choreographed on an empty stage. Thalheimer has created physical theatre that acts out the subtext. The words are only the surface veneer. For example, when Prince Gonzaga hears Emilia’s name mentioned -- the young virgin he covets -- his body literally convulses in waves of lust. This is a play where everything inside and outside is shown.
The play is agonizingly slow at times, but that glacial pacing allows the audience to absorb the surprising visual and aural images. The brilliant seven-member cast make themselves totally vulnerable in both their verbal and body language.
(…)
von Paula Citron, Classical 963 FM
info@toronto.goethe.org
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