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„Paperdance“ out of „Parades and Changes“, Stockholm 1965; Photo: Coni Beeson. - The book-cover of „Anna Halprin – Tanz Prozesse Gestalten“ by Gabriele Wittmann, Ursula Schorn, Ronit Land, K. Kieser Verlag 2009

Whoever studies breath seeks movement – and finds danceen

For Ilse Middendorf, “the experience of breath” became the source of all being. Anna Halprin sees dance as “breath made visible”. Impressive films have been made about these two pioneers.หน้าต่อไป ...
Martin Schläpfer – director of the Ballett am Rhein since 2009 and choreographer of the Year 2010; Photo: Gert Weigelt

Martin Schläpfer – Choreographer of the Year 2010en

European dance critics selected Martin Schläpfer as Choreographer of the Year 2010. The 50-year-old Swiss has directed Ballett am Rhein, which he established in Düsseldorf/Duisburg, since 2007.หน้าต่อไป ...
'Dance and the Metaphysics of Movement(s)'; copyright: colourbox.com

Dance and the Metaphysics of Movement(s)en

In our imagination, dance and movement are inextricably linked. But are they really the same thing? If one wishes to grasp the differences between dance, movement and art, metaphysics comes into play.หน้าต่อไป ...
'A Mary Wigman Dance Evening', Fabian Barba, K3 / Tanzplan Hamburg; copyright: Bart Grietens

Reconstructing dance: cultivating our dance historical heritageen

Contemporary choreographers are all fired up about the avant-garde – both yesterday’s and yesteryear’s. With their fingers on the pulse of the time, choreographers are archaeologists who excavate within the seldom tangible sphere of a fleeting art form. In doing so, they raise new questions about their own artistic function. German modern expressionist dance is surfacing. Reconstructions and recreations sit well with modern dance’s notion of hybridity.
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