NEWSLETTER NUMBER ONE
SUMMER 2003
PROJECT NEWS

Adolf Cluss (1825-1905) From Germany to America: Shaping a Capital City Worthy of a Republic

--an exhibition to enhance public understanding of the architect’s work in Washington during the Gilded Age by interpreting the impact of Cluss’s revolutionary roots and his social vision on the city’s architecture and life.

A revolutionary during the failed 1848 uprising, and a devoted socialist in his early years, Adolf Cluss became, from the 1860s to 1890s, one of the most influential architects and engineers in Washington, DC, responsible for over 80 major public and private buildings in Washington, Baltimore, and Alexandria, VA. During this period, the young city re-invented itself as the capital of a united nation following the Civil War. The city was recognized as a place for innovation, a national and international stage for giving shape to the future. Cluss was at the forefront of the movement. His elegant red-brick buildings—those still standing include the Sumner and Franklin Schools, the Smithsonian’s Arts & Industries Building, the 9th-Street Masonic Temple and Calvary Baptist Church—are among the capital’s most beloved 19th-century structures. Buildings that have not survived include Washington’s Center Market (below), Baltimore’s Concordia Opera House (below right), and the first US Department of Agriculture building on the Mall.

Cluss promoted the quality of urban life by designing enduring, beautiful school buildings for Washington’s students, both African-American and white, by fostering the development of the capital’s infrastructure and beautification as the city’s engineer and member of the Board of Public Works, and by the publication of innovative ideas in national media. In 1890, Cluss’s appointment as Inspector of Public Buildings for the United States government capped a long career as an architect for public buildings and as a public servant.

Planning for the exhibition, slated to open in Washington and Heilbronn, Germany, Cluss’s birthplace, in 2005, is a cooperative effort among many institutions in Washington and Heilbronn.

FEATURED BUILDING


Cluss’s Baltimore connections include the Concordia Music Hall (right), which he designed (built in 1864-65, the building was destroyed by fire in 1891).


PERSONAL NOTES

Cluss’s wife, Rosa Schmidt, was born to a German-American family in Maryland. Cluss’s father-in-law, Jacob Schmidt, was born in Bavaria and taught at Zion’s School in Baltimore.

Adolf Cluss and Rosa Schmidt were married at Zion Church in Baltimore on February 8, 1859.

Planning for the exhibition, slated to open in Washington and Heilbronn, Germany, Cluss’s birthplace, in 2005, is a cooperative effort among many institutions in Washington and Heilbronn.

THE EXHIBITION

left to right: Sabina Wiedenhoeft and Cynthia Field (Smithsonian ) with Peter Wanner (Stadtarchiv Heilbronn) outside the Smithsonian’s Arts & Industries Building, designed by Adolf Cluss as the first “National Museum” (1879-1881).

Scholars consulting on the project include:

Kathleen Neils Conzen
University of Chicago

Alan Lessoff
Illinois State University

Bernhard Mann
University of Tübingen

William Reese
University of Wisconsin

Jonathan Sperber
University of Missouri-Columbia

Cluss Electronic Newsletters

To join our mailing list and be kept informed about the progress of planning for the exhibition, please send your name, address, and email address to cluss@washington.goethe.org.

This project was made possible thanks to generous planning grants from the National Endowment for the Humanities and the Humanities Council of Washington, DC. A cooperative project of the Charles Sumner School Museum and Archives, Goethe-Institut Washington, the Historical Society of Washington, DC, the National Building Museum, the Smithsonian Institution’s Office of Architectural History and Historic Preservation, and the Stadtarchiv Heilbronn.