It was cheeky, even slightly provocative, of the Goethe Institut to organise an event that dealt with trauma, that bookended 9/11, but that did not have a single mention of the destruction of New York’s Twin Towers. Instead, the five-day Über(w)unden conference (Johannesburg, 7–11 September) presented artists, writers and activists from Sudan, DRC, Ivory Coast, Rwanda, Kenya, Zimbabwe, South Africa and Europe who discussed ways in which art can deal with trauma in countries that have experienced extreme conflicts.
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