On contemporary stages, it is not only dancers who dance. Things are also set in motion, thus shifting the dividing line between subject and object.More ...
With the appearance here of different bodies, which do not comply with the prevalent concept of normality, the image that our society has of itself also changes.More ...
Made-to-measure and yet also versatile – this is what is expected of dance education today. The path to professionalism is closely linked to a new self-conception of the profession of dancer.More ...
Founded in 1964, the Berliner Theatertreffen continues to hold its own as the most important showcase of German-language theatre. An interim appraisal.More ...
With its streams of data and traffic, the present age is creating new forms of community. Contemporary choreographers take them up, seeking the essence of togetherness.More ...
In the theatre, attention is formed, focused and temporally extended under special conditions. Of the peculiar experience of the present on stage.More ...
The German-speaking theatre has been increasingly integrating playwrights into specific theatres. The concept of the writer-in-residence has been greatly expanded.More ...
In print media it is given less and less space, while at the same time the internet is accelerating theatre criticism to an undreamt of degree.More ...
From 13 May to 6 June 2010 - The Offside Rules is a coproduction of the Goethe-Institut South Africa, the Market Theatre and Constanza Macras/Dorky Park.More ...
Drama for Life is Africa’s premier drama, theatre and performance programme, encompassing groundbreaking postgraduate studies, festivals, conferences, original productions and collaborative work.More ...
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