Electronic Music from Germany – Review

It may be surprising to begin a survey of electronic music in Germany a good hundred years before West Bam or the Love Parade. Yet the coming to grips with technology and machines is not an invention of the pop era. Since the 1950s there has been a parallel development of electroacoustic art music as a genre in its own right.

Beginnings

Theremin Trio

The beginnings of electronic music

At the start of the 20th century, it was already being hotly discussed how music could be designed for modern times.More ...

The 1960s

Can © Spoon Records

Avant garde and popular music:
sub-cultures of the 1960s

The newly emerged youth and sub-cultures of the 1960’s entered popular music – popular culture and the avant garde met beyond the mainstream.More ...

The 1970s

Düsseldorf ensemble 'Neu!' 1972; © Grönland

Self-stylising as machines:
electro-pop of the 1970s

The Düsseldorf band Kraftwerk apparently became acquainted with each other at one of the early Can sessions and, beginning in 1970, produced at first minimalist and electronic-inspired avant garde rock.More ...

The 1980s

Eloy, © EMI Electrola

Post-Punk, Industrial and German New Wave:
inspirations of the 1980s

Exactly like Eloy, Nektar und Tangerine Dream in Germany, British bands like Emerson, Lake and Palmer (ELP) or Yes also developed a propensity to the bombastic.More ...

The 1990s

Loveparade in Berlin, © Boris Geilert

The mass phenomenon "Love Parade”
and stylistic variations of the 1990s

With its 150 participants, the first Love Parade in the summer of 1989 was an insider’s rendezvous of the West Berlin scene.More ...

Electroacoustic art music in Germany

Electroacoustic art music has largely gone its own way since the 1950s. Points of contact with pop music have remained the exception. In the institutional seclusion of the major studios, creative energy has not just been focussed on the works themselves, but also on research, experimentation and innovation. Unlike in pop music, which has always reacted rapidly and flexibly to new production techniques, it has usually taken years for technical innovations to become established in art music.

The Cologne School myth

The circle of composers who held sway in Cologne during the 1950s has often been mythologised as a centre of the musical avant garde.More ...

Research and progress

Experimental studios and sound machines: the development of aesthetic paradigms in electroacoustic art music.More ...
Heiner Goebbels beim ersten Auftritt von 'Cassiber' in Frankfurt a.Main 1982, © Ralph Quinke

Outside the institutions

Many byways of electronic music have opened up outside the institutionalised studios.More ...
Carsten Nicolai; ©: Galerie Eigen+Art Carsten Nicolai; ©: Galerie Eigen+Art

Building bridges to techno

During the 1990s, an experimental scene grew up in Germany under the influence of techno.More ...

Goethe.rmx

An electronic interpretation of Goethe’s King of Thule travels around the world to be remixed in nine countries on four continents.

Dossier: Electronic Music in Germany and the Czech Republic

Klub Fleda © Fleda
Current trends and the most important developments over the past few years