Annual Reviews

Jazz 2018
Calm before or after the storm?

Although jazz is constantly renewing itself and expanding its horizons, it seems to have taken a breather in Germany last year. To consolidate for a while after all the high-octane developments in recent years? So as to really pull out all the stops soon?

Jazz 2017
Taking a stand

The more recognition federal and state policymakers show for the creative output of the German jazz scene, the more jazz musicians engage in public discourse about issues of wider social import. Public recognition breeds confidence within the scene: German jazz musicians not only weighed in on a number of public issues in 2017, they even took a combative stand that got some of those debates going in the first place.

Jazz 2016
Women play the lead!

The “Jazzstudie” Report published this spring confirmed what we all suspected, namely that jazz musicians earn very little. But the jazz scene is alive and well, thanks also to increased support from cultural and political institutions. 2016 saw a just barely rescued festival, an unexpected windfall, a renewed interest in jazz-rock, and the struggle for women’s rights – a look back at the year in jazz. 

Jazz 2015
Creative troublemakers

Big band music made a resounding comeback, and the diversity of the German jazz scene exploded in 2015.

JAZZ 2014
Thriving traditions and a fresh start

2014 was a jubilee year for German jazz. The Berlin Jazztage celebrated its 50th anniversary, whilst young up-and-coming jazz talents from all over the country took centre stage 25 years after the fall of the Berlin Wall. Meanwhile, new festival concepts wowed audiences from all walks of life.

Jazz 2013
Stars and structural change

German jazz is in movement. Musicians are organizing and presenting themselves. The next generation is queuing up at institutions of higher education, clubs and festivals are looking at a young audience.

Jazz 2012
A Spectre is Haunting Europe – The Spectre of the Unionised Jazz Musician!

There is a prevailing feeling of dissatisfaction among Germany’s jazz musicians – bur no sign of resignation. Arndt Weidler reports on recent developments in the German jazz scene.

Jazz 2011
A “mega-express” to put more blue notes across

Jazz needs communicators and authors to show the same passion and proficiency its musical practitioners are already displaying.

Scene take-off

Seldom if ever before has German jazz been in such fine fettle as it was in 2010. Berlin garnered international regard as the hub of European jazz, and up-and-coming German jazzmen proved more adventurous and exuberant than ever.