Book launch tour
Berlin 2013/1983
by Daniel Young & Christian Giroux

Art Metropole

Berlin 2013/1983 by Daniel Young and Christian Giroux © Berlin 2013/1983. Berlin 2013/1983 by Daniel Young and Christian Giroux Berlin 2013/1983.
The artist book Berlin 2013/1983 by Canadian artists Daniel Young and Christian Giroux is an attempt to answer two interrelated research questions: what does one year of new building construction in a city look like, and how does this contemporary city compare to that of a generation earlier? Berlin is an intriguing case study, not least because of the changing geo-politics altering the urban fabric of both East and West Berlin. With encyclopedic pretension, the artists attempted to document every building completed in Berlin in 2013 presented alongside buildings erected one generation (approximately 30 years) earlier.

Devised as an imaging machine to destroy other images, Berlin 2013/1983 counteracts the usual Berlin narratives in its analytical approach and presentation of its 784 building "pairs." The artists began by photographing subjects at the northwest edge of the city and then traced a path that covers the entire urban area by zig zagging east and west following a boustrophedonic (as "the ox plows") pattern, a process that began in February and ended in May of 2015. Rather than emphasizing a historical (centralized) or a modern (radial) urban development, the project’s radically democratic form gives the periphery of the city the same value as the centre. The iconic buildings of Berlin-Mitte are only found in the middle of the book and are lost among the sheer abundance of images of new suburban structures within this non-hierarchical inventory of architectural form, format, and function.

Inspired in part by the tradition of conceptual photography projects dedicated to architectural knowledge, Berlin 2013/1983 was conceived as a rigorous dérive and is a radical addition to the architectural discourse and published guides to buildings in Berlin. What was devised as a materialist case study in the political economy of construction of our contemporary moment—and of the just recent past—develops into a study of a local vernacular unfolding over time.
 
The new artist book comes in two volumes: bilingual English and German, 1,568 pages with 1,568 images + text volume with 128 pages containing essays by Sandra Bartoli, Kenneth Haynes, Anne Huffschmid, and Anh-Linh Ngo.

Published by ARCH+
Designed by Katja Gretzinger
Produced in partnership with the Art Gallery of Guelph, Ed Video
Supported by David & Yvonne Fleck, Phyllis Lambert, the Jack Weinbaum Family Foundation, and the Canada Council for the Arts

Book launch tour

Printed Matter in NYC
Friday, December 1, 6–8pm
With Daniel Young, Christian Giroux, and Felix Burrichter

n.b.k, Berlin
Wednesday, December 6, 7pm
With Sandra Bartoli, Katja Gretzinger, Mohammad Salemy, Daniel Young, and Christian Giroux
The Berlin event is a cooperation with the n.b.k. and supported by the Embassy of Canada, Berlin

Art Metropole, Toronto
Thursday, February 1, 5–7pm
Jutta Brendemühl, the program curator of the Goethe-Institut Toronto, will facilitate a conversation with Daniel Young, Christian Giroux and the contributing writer Kenneth Hayes.
Book presentation in partnership with the Goethe-Institut Toronto, who provided the original seed funding for the project.

Or Gallery, Vancouver

Thursday, February, 8, 6–8pm
Conversation between Daniel Young and Christian Giroux

Details

Art Metropole

1490 Dundas St West
Toronto

Language: English
Price: free admission

+1 416 7034400 jutta.brendemuehl@goethe.de