Hong Kong: Exhibition (Don't) Dare to Dream

Data_Dreams ©Dustin Shum

Thu, 08.12.2016 -
Fri, 06.01.2017

Goethe-Gallery & Black Box Studio

14/F Hong Kong Arts Centre
No.2 Harbour Road

Artist Talk on 15.12.2016, 7pm at Goethe-Gallery

About the exhibition:
Under the regional project "Data Dreams" initiated by the Goethe-Instituts in East Asia region, (Don't) Dare to Dream is a series of digitally manipulated imagery taken in places where massive redevelopment projects in Hong Kong are going on. Through these 360-degree images that depict the reality and the surreal imagination at the same time, the artist expresses his anxiety for the uncertain prospects of Hong Kong.

About Dustin Shum:
Dustin Shum is a Hong Kong based documentary photographer. He graduated from the Hong Kong Polytechnic University with a Bachelor of Arts (Honours) Degree in Photographic Design. Shum has received many awards for outstanding documentary photography over the years, including those by the Newspaper Society of Hong Kong, the Hong Kong Press Photographers Association, World Association of Newspapers and Publishers, and Amnesty International.

In his work, Shum focuses on the relationship between individuals and urban spaces, the living conditions of local disadvantaged groups, and the transformation of Chinese cities and towns in a rapidly developing economy. His works have been exhibited in solo and group shows locally and internationally. His works have been collected by the San Francisco Museum of Modern Art, the Hong Kong Heritage Museum, and private collectors.

Shum has published several photobooks including Live Alone a Life: People with Mental Illness (2007), and Themeless Parks: Photographs by Dustin Shum (2008), Life and Times (2014) and BLOCKS (2014)
He is also a cofounder of  The Salt Yard, an independent, artist-run exhibition space dedicated to photography, where he curated a number of exhibitions by overseas and local photographers.

You are cordially invited to join us at an artist talk on 15.12.2016, 7pm -8:30pm, Goethe-Gallery
Conducted in English, Free Admission
Speaker: Dustin Shum, moderated by Wilfred Chan, journalist and photography writer for CNN Style


What is Data Dreams:
The digital revolution is changing our lives in fundamental ways. By now we are already moving in hybrid spaces in which real and virtual notions of space intertwine. There is no bus journey to take that would not simultaneously also leave a trace in virtual space and also no visit to a restaurant that would not result in another data point in one’s digital profile, which big data collectors are keeping of every individual now.
Real space however is not only being mirrored in the virtual now, but also manipulated. Search results on the internet are contingent on one’s actions in real space. How we eat, love and think is pre-configured by customized virtual offers. The permeation of real/virtual spaces is radically pervasive and not only interferes with our understanding of the world or our everyday life, it also penetrates our bodies.

How are we dealing with this and how can we get to a better understanding of ourselves in these new worlds?! – International artists, hackers, and other experts are participating in this project by the Goethe Institutes in the East-Asia region.

Details on Data Dreams:
Every day the big data aggregators understand us a little bit better. The initial promise of freedom in electronic networks has been diminished to a for-free-culture, with us not even noticing that we are in fact paying for free services with our data traces on the web. Thus new opportunities have been created to record the worldwide flow of data alongside the real movements and activities of people, to interrelate and to mine them – be it by government agencies or private businesses.
 
In return the web gives convenient access to information, communication and things with heretofore unknown ease, letting us feel “connected” at all times. This bears both chances and risks. Digital spaces and networks profoundly challenge traditional notions of the opposition of private and public spheres even as they already have been continuously renegotiated in the past. At the same time they create new opportunities for private and public interaction. An ever-growing part of our identities shifts into virtual spaces and digital aspects become part of our real lives. Our digital identity is in part actively and consciously created and shaped by ourselves, as well as augmented by automatically gathered data based on algorithms that remain inaccessible. These developments are viewed and discussed critically in Germany and Europe, albeit sometimes just conceded to with a certain perplexity. A hypothesis is that in East Asian countries there is a large openness to try out and incorporate new technologies into everyday life.
 
Besides the internet giants that are known in the West, like Google, Amazon and Facebook, equally big companies have been created in East Asian countries that by now belong to the most important players worldwide in the field of user count for digital services, technical innovation and digital mobility. Weibo, Alibaba and Weixin even offer services far beyond the scope of their Western competitors.

The diverging societies, although connected by the same technology, have nonetheless developed their particularly own interests, goals, and solutions in the digital sector and differ in their respective assessment of chances and risks. What are the social and legal regulations with which they react to the technological feasibilities? Which of those can be implemented at all? And which strategies are being developed in society and art, which cultural techniques are being created to deal with one’s digital identity?

Such were the initial questions applied by the East Asian Goethe Institutes to approximate themselves with the project DATA DREAMS. The answers emerging from questions formulated here in the face of conflicting notions of digital identities on one side and data mining on the other will be pivotal for the shaping of our future. The project strives to map out the spectrum of possible strategies and answers towards these challenges. Participants from America, Europe and Asia reflect on their own scientific and artistic viewpoints to initiate an intense informal and public exchange of ideas.

Research is at the core of our investigation into to privacy protection and legal regulations for data mining in the respective countries (namely China, Japan, Korea, Mongolia and Taiwan) in order to avoid a heavy-handed juxtaposition of notions of “individuality in the West“ and “collective culture in the East”. In Korea for example privacy laws are, despite an omnipresent surveillance culture of public spaces, extraordinarily strict.

In a first approach we are looking into the fact that particularly in the East Asia region a wide array of platforms and providers of digital services has been developing creating their own very specific characteristics. Linguistic competence and sensitivity towards cultural idiosyncrasies are a part of their success stories.

In a second approach the project focuses on the issue of digital identities and posits the question on how life shifts into the web, what dynamic it creates there, and what feed-backs result from the actual as well as preconceived pressures towards a permanent digital presence on actual real life. In parallel our daily lives are increasingly being invaded by digital aspects and artifacts, with us not even noticing. What happens when life, social interaction and encounters more and more play out in virtual space, superseding and even replacing real life? Or, what will happen if real life, as an effect of digitization, will be permanently mirrored in virtual space?
 
Data Dreams is a joint project by the Goethe Institutes in Hong Kong, Beijing, Seoul, Shanghai, Taipei, Tokyo and Ulan-Bator
 
Different phases:
Artists from Hong Kong, Beijing, Seoul, Shanghai, Taipei and Tokyo create a counterbalance to the rather “wordy” events during the first phase of the project, by presenting their series of photographic images specifically developed for this project. They offer an artistic platform on which we deliberate findings from the first project phase dealing with questions about legal regulatory frameworks for internet use and economic and social strategies developed to mitigate the implementation of the digital turn. The artistic works explore traces our digital lifestyle leaves behind, be it general waste or electronic detritus.

The contributions of the artists revolve around the question of digital identities. This issue constitutes the core of the second project phase, which puts an emphasis on artistic practices. How life transitions into the web and what particular momentum it gains there, which feed-back loops it creates with real life on the basis of actual or preconceived pressures towards a permanent digital presence, is being investigated by the participating artists.

The images series are commissioned by the Goethe-Institutes.
 
 

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