INTERPRT is made up of a group of researchers, architects and spatial designers dedicated to environmental justice advocacy. They collect freely available, open source geospatial data for civil society groups to use as environmental evidence in litigation.
Svitlana Lavrenchuk (spatial designer/architect) is responsible for geospatial data analysis and design, and her research interests include interdisciplinary responses to climate change in the Arctic.
Filip Wesołowski (researcher) is responsible for archiving, for open source intelligence and for the production of audiovisual content and exhibitions.
KATAPULT is an independent and non-profit organisation which publishes magazines and books about cartography and social sciences. Katapult magazine discusses politics, economics, law, language and history.
Patricia Haensel has been working with KATAPULT since April 2020, where she has been involved in various projects, many around the theme of reforestation. She is also responsible for editing for KATAPULT publisher.
TIMOTHEE INGEN-HOUSZ (University of the Arts, Berlin)
Timothée Ingen-Housz(University of the Arts, Berlin) has been a Professor for Dramaturgy and the Conception of Audiovisual Communication at the Institute of Media Arts since 2015.
LABLAB is a research and design think tank. The LABLAB team is dedicated to understanding the ecological and social aspects of spatial transition in the Nordic and Baltic Sea Region. Danial Urey is co-founder and head of LABLAB.
Daniel Urey (Poltikwissenschaftler) ist Mitbegründer und Leiter von LABLAB.
A+E Collective (Glasgow) is a multidisciplinary collective which aims to use creative voices to think through existing discourses on ecological precarity, coexistance and sustainable practice in both local and global contexts.
Maria Sledmere (writer/artist) is editor-in-chief of SPAM Press, a member of A+E Collective and editor at Dostoyevsky Wannabe.
Finn Arschavir (artist/designer) is a co-founder of the A+E Collective and recently produced the podcast ‘The Biosystems Recordings’.
Alison Scott (artist/writer) creates work which is research-led and context specific. She is particularly interested in expanded performance, image and writing practices, as well as in speculative approaches to knowledge production.
Rut Karin Zettergren (filmmaker) works with drawings, performances, video, VR, spatial installations and online presentations. Her work is influenced by theories around techno and cyborg feminism and science fiction.
Basing his work on human behaviour and social interaction, Jens Evaldsson (visual artist) activates social spaces through interventions which in turn create new contexts and realities.
During her degree, Martha Andrea Denneche (landscape architect) focused on the topic of how to design with reference to local climate in urban landscapes.
Xenia Brown Pallesen (student of art history) specialises in the intersections between art, technology, architecture, nature, climate and biodiversity.
Felix Erdmann (developer at re:edu)
Franz Sitzmann (project manager & mentor at Junge Tüftler)
Giulia Paparo (project manager & mentor at Junge Tüftler)
Juliane Springsguth (project manager & mentor at Junge Tüftler)
Text translated from German into English by Annie Rutherford.