Arts

(11. Januar 2021)
Die Möglichkeiten der Kultur gegen eine zunehmend als „höllisch“ empfundene Welt verteidigen: Das vom Goethe-Zentrum Baku in Auftrag gegebene Projekt „Le Biennali Invisibili“ („The Invisible Biennials“) zeigt eine Online-Biennale, inspiriert von Italo Calvinos „Invisible Cities“.

(18 January 2021)
The Metropolis Art Cinema in Beirut has already coped with a number of disasters, Covid-19 being just one of them. Director Hania Mroué nevertheless keeps finding new ways to bring international and Lebanese cinematic art to the public, thanks in part to funding from the International Relief Fund 2020 initiated by the Goethe-Institut, the German Foreign Office, and other foundations and cultural intermediary organisations.

(04 January 2021)
The anti-Corona measures hit the Georgian cultural sector unprepared – including the Royal District Theatre in Tbilisi. Dramaturge Davit Gabunia reports on how the theater was able to continue thanks to funding from the International Relief Fund 2020 of the Goethe-Institut, the German Foreign Office and other foundations and cultural intermediary organizations.

(11 December 2020)
The Outreach Foundation in Jo­­hannes­­­burg does neigh­bour­hood work in the city centre. With funds from the International Relief Fund of the Goethe-Institut, the German Federal Foreign Office and other foundations and cultural intermediary organisations, it was possible to continue an intergenerational theatre project.

The colourful, stylish bands with their cool choreographies reach millions of users on social media. The wave of fascination emanating from K-Pop has long spilled over from Asia to Europe. What is it about this South Korean phenomenon that it casts a spell over people throughout the world?

2020 was a year of great upheavals, a turning point. The pop and electronic music sectors had to grapple with the basic question of how to make a living amid a pandemic, ensuing crisis and concrete policy decisions.

What happens when musicians and their audience have to keep their distance? Jazz festivals came up with various strategies to cope with that situation in the year of the coronavirus crisis. But even more auspicious are some ideas musicians themselves have come up with – for their own sake and for the future of improvised music. They deserve a hearing because their livelihoods really are at stake now.

As in many other areas of society, the coronavirus pandemic took a heavy toll on German musical life in 2020. Patrick Hahn recalls what did happen last year all the same in the classical, contemporary and early music scenes.

Many artists live in precarious conditions, and few can make a living off their art. Initiatives like fair music providers and fair-trade certificates for music labels show how a more equitable value chain could be created. 

Was Beethoven able to negotiate his own fees? And what was the deal with the women in his life? An attempt to get to know the famous composer – frame by frame.

Two years ago the Museo Nacional in Rio de Janeiro fell victim to a major fire. Since then, Germany’s Foreign Office and the Goethe-Institut have been involved in the rescue work and in the development of a concept for a new museum. The Latest at Goethe spoke to the director of the museum, Alexander Kellner, about the challenges he is facing now.

Since 2015, the Museum of Comics and the Language Arts in Schwarzenbach has explored all aspects of the art of the comic. It pays tribute in particular to long-standing German translator of the Mickey Mouse comic books, Erika Fuchs.

From London’s Tate Modern to Bavaria’s capital: curator Andrea Lissoni is moving to Munich to head up the Haus der Kunst in Munich in April 2020.

The Old Master Picture Gallery in the Dresden Zwinger, the palace that serves as an art museum, is celebrating its reopening – and thrilling visitors with a skilful surprise: the exhibition has been rearranged, allowing for a new perspective on its well-known masterpieces.

Pressure on the German theatre and cultural landscape has increased significantly since the right-wing populist Alternative for Germany party won seats in parliament. The institutions have developed ways to deal with right-wing attacks – in part by joining together in solidarity.

Germany has more theatres and concert halls than almost any other country in the world. From its many small, private theatres to the large opera houses, stage designers are always working to ensure a special theatre-going experience.