Presented by Serendipity Arts Foundation & Alkazi Foundation for the Arts
FINISAGE:
INDIAN EXPRESSIONISM THROUGH GERMAN LENS
A Conversation WITH baradwaj rangan AND r.s.prasanna MODERATED BY helmut schippert on: 03 August 2019, I 5.00 pm I Lalit Kala Akademi.
First displayed at Serendipity Arts Festival 2017, this exhibition showcased, for the very first time, a sampling of rare, original photographs and digital reprints (the latter now in the Alkazi Collection) from the esteemed Wirsching archive, of early Indian cinema relating to the Bombay Talkies.
The exhibition, a tribute to one of the forgotten pioneers, cinematographer Josef Wirsching, comprised behind-the-scenes photographs of cast and crew, production stills, and publicity images. These photographs, shot primarily on 35mm with a Leica camera between the 1920s-60s, give us unprecedented access to the aesthetic decisions, creative communities, and cross-cultural exchanges that were vital to filmmaking in late colonial India. The acclaimed production studio, Bombay Talkies, played a major role in defining the form of mainstream film in India, established by Himanshu Rai in 1934.
This exhibition foregrounds the critical role of German technicians and interwar image-making practices in the history of Indian cinema, presenting some of the best-known actors and technicians from Devika Rani, Ashok Kumar and Leela Chitnis, to Jairaj, Hansa Wadkar, and Dilip Kumar.
Creative Collaborator: Georg Wirsching (The Wirsching Archive)
Curators: Debashree Mukherjee & Rahaab Allana
Scenography: Sudeep Chaudhuri
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