Finissage
Join us for the Finissage of the Exhibition - Sunday June 10, 2018 at 6.30 p.m. at the Bhavan!
Last chance to look at André Lützen's photos and only chance to look at the outcome of the workshop 'The Spaceship Assignment'.
Climate is a universal buzzword, but it is refreshing to look at the issue from a creative rather than a clinical perspective and German photographer
André Lützen gives us exactly this opportunity. Lützen's
Living Climate: A Tale of Three Cities, an exhibition of photographs focusing on three cities with different weather conditions:
Kochi in South India,
Arkhangelsk in North-West Russia and
Khartoum in Sudan.
In
Living Climate: A Tale of Three Cities, Lützen approaches the question of how climate influences people and their ways of living. He documented how climate defines living situations and effects a diverse interplay between private and public. All photographs were taken between 2014 and 2017. The photos:
Inside Out Kochi were taken during his
bangaloREsidency@Pepper House.
Living Climates: A Tale of Three Cities is presented in association with
URU – Art Harbour.
During his stay in Bangalore, Lützen will conduct a 2-day
workshop, entitled
The Spaceship Assignment, for local photographers. For more information please click
here.
© Isabella Hager
André Lützen
Born in 1963 in Hamburg, André Lützen studied visual communication at the Hochschule für bildende Künste, Hamburg and at the International Center of Photography, New York. He has received various awards for his work, which has been shown in numerous exhibitions such as the Haus der Photographie / Deichtorhallen, Hamburg, the Krefelder Kunstmuseen, the Hamburger Kunsthalle, the Noorderlicht Photogallery, Groningen, at the New York Photo Festival and at Photo Espana.
His photography has been published in several monographs: Generation Boul Fale (2001), Loch im Kopf (2005), Before Elvis there was nothing (2008), Public Private Hanoi (2010), Zhili Byli (2014), Inside Out Kochi (2015) and Up-River Book (2017).
André Lützen is represented by the Robert Morat Gallery.
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