Lezing
In Memoriam Thomas Elsaesser

Memory Word and Image: W.G. Sebald's Artistic Legacies
© AHM Conference

Memory, Word and Image – W.G. Sebald's Artistic Legacies

Goethe-Institut Amsterdam

Völlig unerwartet ist Thomas Elsaesser am 4. Dezember 2019 von uns gegangen. Wir sind tief betroffen und können es wahrhaft noch nicht richtig fassen. Thomas war nicht nur ein langer Wegbegleiter des Goethe-Instituts, sondern vielen von uns ein Freund.
 
Wir wollen in dieser Veranstaltung auch seiner gedenken.
For his planned keynote, Thomas Elsaesser sent the following abstract:
"W.G. Sebald – known to me as Max – was my colleague for nearly twenty years at the University of East Anglia, from 1972 to 1991. In the early 1980s we co-taught a course on Weimar Cinema and since he had his office exactly one floor below me we often exchanged greeting on the stairs. After my move to the University of Amsterdam, we stayed in intermittent contact and maintained a lively, if not always friction-free exchange. Once we were no longer colleagues, Max felt freer to express his dislike of the many things that irked him about his teaching and the administrative chores at the university. For him, I had become an academic apparatchik. My lecture will focus on a certain belatedness, or Nachträglichkeit that hovers over Max and his writings, as well as typifying my relation with him. Yet non-synchronicity is also a key characteristic of transnational, trans-generic and inter-arts relationships, as well as a recurring mode or sensibility that makes Sebald a very contemporary writer and thinker."

Thomas Elsaesser passed away on December 4th 2019, while on a lecture trip to China. He was Professor Emeritus at the Department of Media and Culture, University of Amsterdam, and since 2013 taught part-time at Columbia University, New York. Among his books are The Persistence of Hollywood (New York: Routledge, 2012), German Cinema – Terror and Trauma: Cultural Memory Since 1945 (New York: Routledge, 2013), Film Theory – An Introduction through the Senses (with Malte Hagener, 2nd revised edition, New York: Routledge, 2015), Film History as Media Archaeology (Amsterdam University Press, 2016) and European Cinema and Continental Philosophy: Film as Thought Experiment (London: Bloomsbury, 2018). He was also the writer and director of The Sun Island (2017), a documentary essay film produced for German television (ZDF/3sat) which acknowledges Sebald as one of its inspirations.

Sunday 14 December 2019, 15:00-17:00 | Stedelijk Museum Amsterdam, Auditorium
Meer info The Amsterdam School for Heritage, Memory and Material Culture and the Stedelijk Museum are proud to present the screening of Tacita Dean's Michael Hamburger (2007), followed by James Elkins' keynote lecture Models for Word and Image: From Rodenbach to Fernandez Mallo.

Details

Goethe-Institut Amsterdam

Herengracht 470
1017 CA Amsterdam

Taal: Engels
Prijs: gratis

+31 20 5312900 info-amsterdam@goethe.de