The media art project “Smile to Vote” revolves around a voting booth that scans faces and automates the vote-casting process. Its originator, artist Alexander Peterhaensel, criticises the increasing encroachment of technology on privacy.
Virtual reality, 3D animation and robotics have long been used by theatre directors in other countries but they have yet to be embraced as tools of stagecraft in Germany. That is about to change. The new Akademie für Digitalität und Theater (Academy for Digitality and Theatre) in Dortmund is set to revolutionise the German theatrical landscape.