Theory course
Introduction to Music Theory

02/26-03/19/18
Mondays, 6:30-9:30pm
Goethe-Institut New York

What are the basic structures of western music? What rules and norms—of harmony, melody, and rhythm—unite works as remote from each other in time and style as Bach’s St. Matthew Passion and the Beatles’ Sgt. Pepper? What are the acoustic, perceptual, and historical roots of this musical grammar, and does understanding them shape the way we hear and respond to music?

These are some of the questions we will address in this course, which aims to equip students with foundational skills for studying, making, and thinking about music. As many thinkers have recognized, music influences and transforms the listener in ways that are no less profound for being obscure or even inarticulable. An understanding of how it does so is thus valuable not only for musicians, but for anyone who has ever wondered how music conveys meaning and affect or how it shapes our social and political environment.

Students in this course will learn to read musical notation; examine the roots of western harmony in the acoustic phenomena of consonance and dissonance; and study melody, rhythm, meter, and form. Finally, they will consider how these various aspects of musical grammar work together to produce the coherent language known as common-practice tonality—which governed European classical music, underlies most contemporary popular music, and continues to function, in a slightly modified form, in jazz.

Instructor: Nathan Shields

Nathan Shields received his doctorate in Composition from the Juilliard School, where he also served for several years on the Music History faculty. Last year he was Visiting Assistant Professor of Music at St. Olaf College. His research interests include Romantic and Modernist music, with an emphasis on Wagner and fin-de-siècle Vienna; sacred music of the late medieval and early modern eras; and music’s relation to the history of philosophy and religious thought.