How does one resist gentrification and displacement of Black spaces in Seattle? And how does one honor and continue the work and accomplishments of one’s ancestors?
is an interdisciplinary project that mixes diasporic African ancestral veneration, space-keeping, and neighborhood reinvestment in Seattle’s historically redlined Central District neighborhood on the land of the Coast Salish People. In collaboration with Shaping the Past
fellow Free Egunfemi Bangura and Goethe Pop Up Seattle, the Black arts organization Wa Na Wari reactivated its front of house--a mediating structure between home and street, private and public--as a memory space, diving into the history of porch culture and nation building, and preserving the cultural tradition of generational storytelling.
The installation opened on All Soul's Day as a memorial space that amplifies those unadorned or undecorated and elevates their stories. The concept of the exhibition follows current health and safety guidelines to reduce the risk of COVID-19 exposure. Visitors have the opportunity to safely explore the interactive outdoor exhibition by walking through the front yard of the building and calling dedicated phone lines listed on the individual story portals to find out more about the stories of the individual ancestors and to be inspired.
Wa Na Wari
is a center for Black art and culture in Seattle’s historically Black Central District, a neighborhood that was shaped by redlining. The organization addresses Seattle’s affordability crisis, changing demographics, and the aging Black residents’ experiences with isolation and economic hardship by creating spaces for Black ownership, possibility, and belonging through art, historic preservation, and connection.
Free Egunfemi Bangura
is an independent historical strategist and social entrepreneur from Richmond, VA, and has been credited as the originator of the international Commemorative Justice movement. Her work focuses on ancestral remembrance and reclaiming memory culture by preserving memories of historically Black neighborhoods. In 2013, she founded Untold RVA
and Untold Tours
to inspire non-traditional audiences with bold typography, audio enhanced street art, and urban exploration.
Shaping the Past is produced in partnership with the Goethe-Institut, Monument Lab, and the Bundeszentrale für politische Bildung (Federal Agency for Civic Education). The project connects to the activist and artistic work of local, national, and transnational movements as a reflection of memory culture and discusses new perspectives on forms of memory.