Join us Friday, December 11 at 5pm EST for the premiere of CAIRO KITKAT CLUB at the Goethe-Institut New York, featuring a live introduction by Adham Hafez of HaRaKa Platform! 15 audience members will be allowed inside our public space (following all COVID-19 safety protocols).
This performance will also be viewable on Zoom December 11-14 at 5pm EST each day.
Register for Online Performances
Living at a time when we are made to stay distant from one another because of a global pandemic, where intimacy means infection, and public conviviality causes contagion, this project looks back at assemblies of pleasure and politics that took place between Cairo, Berlin, and New York embodied in the history of the infamous nightclub, The KitKat. Built almost 100 years before Berlin’s KitKat Club of the 1990’s, Cairo’s KitKat was a radical cabaret by the Nile that saw constellations of artists, politicians, spies, and societal figures at the end of the 19th century and the beginning of the 20th. Stories at the KitKat were shaped by major world events, from the Spanish Flu pandemic, the shutting down of theatres, to WWI and WWII. '
This project, screened on a projector in the front window of the Goethe-Institut New York, weaves stories from the Isherwood’s American imagination of Germany, and Hollywood's depiction of Weimar cabarets in the 1972 film Cabaret
(also taking place at a ‘KitKat Club’), going all the way back to the bellydancing, microtonal singing and glamorous houseboats in Cairo. Anita Berber, Josephine Baker, Hekmat Fahmy, Adolf Hitler, Hans Eppler, Anwar Sadat, Laszlo Almasy, Samia Gamal, Cecile B. DeMille, and Amina Mohammed are some characters that stride reality and fiction in ways akin to the performances of nationhood perpetuated by governments at times of cultural wars. The project is based on research conducted in Berlin, Cairo, London and New York, with MI5 files that have been recently declassified by the British Intelligence, oral histories from the KitKat neighborhood in Cairo, and chronicles of intergenerational clubbing within Cairo, New York and Berlin’s nightlife as we continue to live through a world of no theatres, cabarets or clubs today.
Cairo Kitkat Club is an episodic and modular project, staging in different constellations each time it is presented.
Project of HaRaKa Platform,
in partnership with and supported by Goethe-Institut New York, and Co-presented by La Mama Theatre, and further supported by the Hilal Foundation The project is developed through Cairo Critical Cabaret , a performance lab initiated by HaRaKa Platform, experimenting with the form and history of cabaret, staging multiple artistic objects, processes and interventions.
Conceived, choreographed, and directed by:
Performance, research, composition by:
Mona Gamil, Lamia Gouda, Ohoude Khadr, Cindy Sibilsky, Adam Kucharski, Adham Hafez
Nicky Paraiso (New York), Amie Sultan (Cairo), Ohoude Khadr (Berlin), Fadi J. Khoury (New York)
Urban history research:
Ashraf Gharib, Raph Cormack
Technical director and production management:
Mask designs and Styling:
YASHMASK, Lamia Gouda
Cairo film artist:
Berlin film artist:
Video and Sound Editing:
Mona Gamil, Adham Hafez
Film Editor and Post production:
Cluborators and Berlin research:
Layal Seifan, Zee Hartman, Yara Seifan
Technical team at La Mama
Theatre New York: Juan Merchan, Marielle Iljazoski
Initial script dramaturgy:
Sara Soumaya Abed
Filmed at the KitKat Club
was established in 2006 by a group of artists, theorists and specialists initially based in Cairo and working from Berlin, New York City, and Cairo since 2011. HaRaKa is the first platform dedicated to performance studies and movement research in Egypt, and through local, regional and international partnerships it has curated, produced, published, researched and set up pedagogic programs in the Arab world, Europe and the US. Its latest projects were presented at Sharjah Architecture Triennial (UAE), La Mama Theatre (US), Hebbel Am Ufer (Germany), among others. The platform focuses on colonial histories in relation to body-based practices, gender in performance, the Anthropocene and its cultural implications, as well as new planetary paradigms. It is steered by its core members, Mona Gamil, Lamia Gouda, Adam Kucharski and Adham Hafez. Over the past fifteen years HaRaKa has created collaborations with renowned artists including Cristina Caprioli (Stockholm), Constanza Macras (Berlin), Mey Seifan (Damascus/ Berlin), Yoshiko Chuma (New York), Myriam Van Imschoot (Brussels). HaRaKa stages performances, publishes and translates texts on choreography and theatre, and has curated several international festivals and exchange platforms in Egypt, the US and Germany specializing in contemporary Arab performance practices and diasporic communities.
is a Berlin and New York based choreographer, sound artist, theorist and performer. Recipient of multiple awards including First Prize for Choreography by Cairo Opera House, Adham Hafez was recently described by the New Yorker as 'an intellectual magpie whose text-heavy works bristle with political ideas'. He studied science, choreography, political science and performance studies in Amsterdam, Paris and New York. Adham Hafez is the founder of HaRaKa Platform and is the principal choreographer associated with its work.