Exhibition Manifesto: Art x Agency

Manifesto: Art x Agency © Julian Rosefeldt © Julian Rosefeldt

Sat, 06/15/2019 -
Mon, 04/06/2020

Hirshhorn Museum and Sculpture Garden

Independence Ave SW & 7th St SW
Washington, DC 20560

In the realm of the Year of German-American Friendship, the Goethe-Institut Washington has partnered with the Hirshhorn Museum and Sculpture Garden to develop Manifesto: Art x Agency, a major group exhibition that examines the cultural and historical impact of artist manifestos from the 20th century to the present day.

Manifesto: Art x Agency
is a group exhibition that examines the art historical impact of artist manifestos from the 20th century to present day. Organized by the Hirshhorn’s Chief Curator Stéphane Aquin, Manifesto: Art x Agency also marks the Washington, DC, debut of German artist Julian Rosefeldt’s multichannel film, Manifesto, presented alongside a diverse selection of works from the museum’s permanent collection. Comprising more than 100 works of art and ephemera created over a hundred-year period, Manifesto: Art x Agency explores how artists used manifestos to engage with the political and social issues of their time and how contemporary practices still employ art as a tool in the making of history.

Manifestos, a standard feature of modernist avant-garde movements, were often created to outline the principles of artist groups and to purport revolutionary social and political theories practiced by artists, writers and philosophers. Exploring the idea of the artist manifesto as a major tenet of the 20th century, the Hirshhorn’s exhibition will be divided into three distinct sections. The introduction to the exhibition will feature a powerful display of the museum’s modern collection holdings, including seminal works by artists such as Jean Arp, Giacomo Balla, Alexander Calder, Salvador Dalí, Helen Frankenthaler, George Grosz, Hannah Höch, René Magritte, André Masson, Joan Miró, Joan Mitchell, Barnett Newman, Jackson Pollock and Tsuruko Yamazaki.

Dating from the early 20th to mid-century, these works offer a historical framework for the ideas born out of the various manifestos from this time period. To further ground these works within the ideas that inspired them, a number of published manifestos, including texts from futurism, surrealism, constructivism and lyrical abstraction, on loan from North American art libraries, will be on display as a key part of the exhibition.

Rosefeldt’s titular Manifesto (2015) will be displayed as a singular work in the second section. The multichannel film installation, featuring actress Cate Blanchett performing excerpts from some of the great manifestos of the past century, serves to demonstrate the contemporary resonance of the artist manifesto in today’s artistic and cultural climate, while simultaneously connecting earlier aesthetic movements from the previous section.

The third section will highlight contemporary pieces from the permanent collection, spanning from the 1960s to present day. This grouping will encompass works that provide a commentary on political movements and social change within contemporary contexts. Included among the artists on view are the Guerrilla Girls, Adrian Piper, Hurvin Anderson, Alfredo Jaar, Nam June Paik, Zoe Leonard, Catherine Opie and Glenn Ligon.

In conjunction with the exhibition, the Hirshhorn will present the Washington debut of In Search of the Truth (The Truth Booth), an ongoing global project by CAUSE COLLECTIVE, artists Ryan Alexiev, Jim Ricks and Hank Willis Thomas. The participatory installation will be open on the museum’s outdoor Plaza June 8–23.

Manifesto: Art x Agency is organized by the Hirshhorn Museum and Sculpture Garden and is made possible with major support from the Goethe-Institut Washington and the initiative Wunderbar Together: The Year of German-American Friendship 2018/19.

Generous support for this exhibition has been provided by the Burger Collection, Hong Kong; Ken Grossinger & Micheline Klagsbrun, CrossCurrents Foundation; and the Hakuta Family. Additional funding is provided by the Hirshhorn International Council and the Hirshhorn Collectors’ Council.