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HD, colour, sound, approx. 90 minutes

Shane Bunnag & Pichet Klunchun - Still from Marnram, since 2005 (work in progress)

HD, colour, sound, approx. 90 minutes

© Shane Bunnag

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(Still) HD-Video, 14‘ 11“

Tita Salina - 1001st Island – The Most Sustainable Island in Archipelago (2015)

(Still) HD-Video, 14‘ 11“

© Tita Salina

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Felt suit on a hanger. 194 x 64 x 20 cm Private collection of Nationalgalerie - Staatliche Museen zu Berlin

Joseph Beuys, Filzanzug (Felt Suit) - 1970

Felt suit on a hanger. 194 x 64 x 20 cm Private collection of Nationalgalerie - Staatliche Museen zu Berlin

© Joseph Beuys © VG Bild-Kunst, Bonn 2021 © Nationalgalerie - Staatliche Museen zu Berlin / Thomas Bruns

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Foreground: The Forest Curriculum - How Not To Build A Nation (2021)  Background: Bruce Nauman - Body Pressure (1974)

Foreground: The Forest Curriculum - How Not To Build A Nation (2021) Background: Bruce Nauman - Body Pressure (1974)

© the artists © Bruce Nauman / Vg Bild-Kunst, Bonn 2021 © Nationalgalerie – Staatliche Museen zu Berlin / Thomas Bruns

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Natasha Tontey - Wa’anak Witu Watu The Epoch of Mapaluce (2021)

Natasha Tontey - Wa’anak Witu Watu The Epoch of Mapaluce (2021)

© the artist © Nationalgalerie – Staatliche Museen zu Berlin / Thomas Bruns

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Installation view of ‘Nation, Narration, Narcosis: Collecting Entanglements and Embodied Histories’, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 2021

Installation view of ‘Nation, Narration, Narcosis: Collecting Entanglements and Embodied Histories’, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 2021

© the artists © Nationalgalerie – Staatliche Museen zu Berlin / Thomas Bruns

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Stephanie Comilang - Lumapit Sa Akin, Paraiso (Come to Me, Paradise, 2016) Right: Bussaraporn Thongchai, Pieces from Berlin, 2017-2019

Stephanie Comilang - Lumapit Sa Akin, Paraiso (Come to Me, Paradise, 2016) Right: Bussaraporn Thongchai, Pieces from Berlin, 2017-2019

© the artists © Nationalgalerie – Staatliche Museen zu Berlin / Thomas Bruns

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Ampannee Satoh - Lost Motherland, White Blood (2018) Right: Noa Eshkol, Window to the Sea, 1975

Ampannee Satoh - Lost Motherland, White Blood (2018) Right: Noa Eshkol, Window to the Sea, 1975

© the artists © Nationalgalerie – Staatliche Museen zu Berlin / Thomas Bruns

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Installation view of ‘Nation, Narration, Narcosis: Collecting Entanglements and Embodied Histories’, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 2021

Installation view of ‘Nation, Narration, Narcosis: Collecting Entanglements and Embodied Histories’, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 2021

© the artists © Nationalgalerie – Staatliche Museen zu Berlin / Thomas Bruns

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Algorithmically composed video, infinite loop, various configurations.

Ho Tzu Nyen in collaboration with Sebastian Lütgert and Jan Gerber - CDOSEA (The Critical Dictionary of Southeast Asia, 2015 - ongoing)

Algorithmically composed video, infinite loop, various configurations.

© Courtesy of the artist and Edouard Malingue Gallery

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Kawita Vatanajyankur - Dye (2018)

Kawita Vatanajyankur - Dye (2018)

© Courtesy the Artist, Collection of MAIIAM Contemporary Art Museum

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© Goethe-Institut 2025