Postcolonial world order, Decolonization, Reappraisal of the colonial past
Ayesha Hameed’s moving image, performance and written work explore contemporary borders and migration, and visual cultures of the Black Atlantic. Her projects Black Atlantis and A Rough History (of the destruction of fingerprints) have been performed and exhibited internationally. She is the co-editor of Futures and Fictions (Repeater 2017), which was nominated for a 2018 International Center of Photography's Infinity Award in the Critical Writing and Research category. She is currently the Programme Leader for the MA in Contemporary Art Theory in the Department of Visual Cultures at Goldsmiths University of London.