Shakhrizoda Ergasheva

Multidisciplinary Artist and Researcher
Tashkent, Uzbekistan

Shakhrizoda Ergasheva © private

Shahrizoda Ergasheva is a multidisciplinary artist and researcher from Namangan, currently based in Tashkent. Her work spans visual, sonic, and textual media, exploring themes of memory, inheritance, and care. Drawing on family traditions of sewing, knitting, and embroidery, she reimagines domestic practices as acts of resistance and storytelling.

She is a member of Maqaal Collective, an independent feminist research group, and Soup Collective, a network of women filmmakers. Through these collaborations, she explores questions of gender, history, and cultural continuity in Central Asia.

Selected Works

  • Umrbahori (2024, Venice Biennale): A video performance centered on the daily rituals of a girl whose boundless love transforms her environment. Love here is not just an emotion, but a generative force that imbues everyday actions with meaning.
  • Candy is Crushed: An archival collage composed of animated films from her childhood. Fragmented visuals are layered to explore personal and collective memory.
  • Untitled (work in progress): A collaborative video project examining how food functions as a language of care within communities.
  • Audio Work: A co-created audio interview with her grandmother. Produced together with her sister, it reflects on Islamic practices during the Soviet era.
  • Shajara: An audio essay based on intergenerational conversations about ancestral memory, challenging the historical erasure of women in family genealogies.
  • How to Turn a Sea into Qum: A research paper (translated into Uzbek and Russian) tracing the ecological and economic devastation of the Aral Sea, linking Soviet and imperial legacies of exploitation in Central Asia.
     

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Loneliness of Women in Uzbekistan

Solid Knot © Shahrizoda Ergasheva

Loneliness of Women in Uzbekistan includes a powerful spatial installation that illuminates the emotional isolation experienced by women within traditional family structures and a documentary film exploring the complex relationship that women have with solitude. The works invite audiences to reflect on the intersections of gender, culture, and transformation in contemporary Uzbek society.