Books after four

books after four © Goethe-Institut Nigeria

Meet the Hosts

baf © © Goethe-Institut Nigeria baf © Goethe-Institut Nigeria
Dr. Nadine Siegert is the director of Goethe-Institut Nigeria and has worked in Rwanda and South Africa before. Until 2019, she was the deputy director of Iwalewahaus, University of Bayreuth (Germany). She is also a publisher with iwalewabooks and works on African contemporary and modern arts. She is a book lover and loves to learn about Lagos through novels, art and poetry.

baf © © Goethe-Institut Nigeria baf © Goethe-Institut Nigeria
Kolawole Oludamilare
 is an art and culture administrator, writer and activist from Lagos, Nigeria. He holds a bachelor of science in Agricultural Extension/Sociology from the University of Ilorin, Nigeria. He is soon-to-be-published novelist and loves to read works of fiction.


Georges © © Goethe-Institut Nigeria Georges © Goethe-Institut Nigeria

Georges Gambadatoun has recently joined the Goethe-Institut Nigeria as the head of information and library. He is a porject managment graduate and the co-founder of Blog4SDGs.

 


Episode 2

In the second episode, Sylva Nze Ifedigbo’s Believers and Hustlers (Parrésia, 2021), which won the 2022 Chinua Achebe Prize for Literature, takes listeners into the enterprise of Pentecostalism that pervades the city. Ifedigbo calls his novel an “important Lagos story. I might not have even thought of it in that sense until the book was published, as I began to get comments from readers who said ‘this is an aspect not too many have written about, especially in fiction’.” He goes on to say, “But yet it is such an important part of our lives.


Episode 3 ©Goethe-Institut Nigeria/by Tope Asokere

Episode 3

In the third episode, we encounter Manuwa Street (Farafina, 2022) by Sophie Bouillon. The name of the book is derived from the actual street where Bouillon lives in. She is a French journalist who worked in Lagos for five years as the deputy bureau chief at Agence France-Presse and currently works for RFI Hausa. Manuwa Street, a work of journalistic nonfiction, can be classified as a pandemic memoir as its landscape captures turbulences and changes the world went through during the COVID year, especially in Lagos. 



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