Un|Controlled Gestures – 4th Edition
About
"Un|controlled Gestures - 4th Edition" is an initiative of the Goethe-Institut in cooperation with HAU Hebbel am Ufer Berlin and HELLERAU – European Center for the Arts (Dresden), curated by Nedjma Hadj Benchelabi.
Curatorial statement
by Nedjma Hadj Benchelabi
In a trembling world, bodies seek new pathways — performative languages from and within Arab cultures that move beyond locality and transcend borders. Un|Controlled Gestures – 4th Edition invites artists to reflect upon present instability, reshaping bodily knowledge into new performative vocabularies.
The notion of “shaking up bodies' languages” suggests a radical reimagining: challenging inherited forms, embracing transformation, and allowing movement to articulate multiple layers of intimate and collective experiences. Exploring sources of strength and resistance that the body carries to transform them in a performative process.
This edition invites artists to embark on a dual journey: personal artistic exploration and collective experimentation. Through a newly introduced format of collaborative jam sessions, participants will question and redefine concepts such as solidarity, agreement, and shared spaces. Togetherness is not assumed but constructed, dismantled, and reassembled through creative space.
This project serves as both initiation and invitation: a process of learning from one another while embracing the equally vital act of un-learning. Introducing artists to the city and local art field is seen as a fertile ground to explore, disrupt, and reimagine their practice.
Un-Controlled Gestures – 4th Edition is a call to inhabit the trembling.
The thought of trembling surges from all around [...] It protects us from thinking of systems and systems of thought. It does not imply fear or irresolution; but spreads infinitely like an untold bird, its wings sown with the black salt of the earth. It brings us together in absolute diversity, in a whirlwind of encounters. A utopia that never settles and that opens up tomorrow, like a shared sun and fruit.
Édouard Glissant, La Cohée du Lamentin. Poétique V, Gallimard, 2005.
Timeline and locations
The second phase takes place at HAU Hebbel am Ufer Berlin, where the work-in-progress performances will be shown at the end of the residency.
Nedjma Hadj Benchelabi
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Nedjma Hadj Benchelabi
Nedjma Hadj Benchelabi is a dramaturge and curator, born in Algiers and based in Brussels. Through her artistic and curatorial work, she cultivates exchanges between Europe and the SWANA region while supporting emerging artists and interdisciplinary collaboration. She has collaborated with major institutions such as the Brussels City Theatre (KVS) and Les Halles de Schaerbeek, where she worked as performing and literature curator. In 2012, she curated Daba Maroc, a season dedicated to Moroccan contemporary arts. Since 2014, she has been Associate Curator of the international contemporary dance festival On Marche in Marrakech, where she also coordinated the Dance Biennial of Africa (2021). Between 2016 and 2018, she collaborated with Cairo’s multidisciplinary festival D-CAF as curator of the Arab Arts Focus. She has also curated festivals and programs including Tashweesh (Cairo and Brussels, 2017–2018), Un|Controlled Gestures (since 2019), and Halaqat (2022), supported by the Goethe-Institut. Since 2019, she has been the curator of the Mahmoud Darwish Legacy Program, a multidisciplinary platform from Brussels and beyond. Recently, she also teaches in the Master in Dance & Choreographic Practices, where she shares her expertise in contemporary practices. Across all her projects, she remains committed to supporting young artists and fostering spaces of exchange. Through her interdisciplinary explorations, Nedjma seeks to cultivate artistic languages that move beyond conventional narratives—layered and poetic forms of expression that embrace fragility as a mode of resilience and choreograph intimate and collective memories into new body languages.