Site-specific Installations in Germany

El Lissitzky (1890–1941), Proun Room for the Great Berlin Art Exhibition, 1923/1965. Reconstruction at Stedelijk Van Abbemuseum Eindhoven 1965. Painted wood, glass, 310 x 365 x 365 cm. Berlinische Galerie | Courtesy of Stedelijk Van Abbemuseum Eindhoven | © VG Bild-Kunst, Bonn 2013

Introduction and definition

Over the course of the 20th century sculpture has amplified into site-specific installations. Site-specific installations are “in” because they offer alternatives to the rampant mediatization of everyday life and heighten our awareness of the “here and now”.More ...
Karin Sander: Wallpiece, 300 x 420 cm, 1996. Kunstmuseum Bonn. Polished painted wall, three parts | Courtesy of Karin Sander | © VG Bild-Kunst, Bonn 2013

German installations in the 1980s and ’90s

Beginning in the 1960s, art movements like Pop Art, Fluxus and Land Art expanded the very notion of the artwork into the ambient environment and landscape, blurring the borders between the work and the viewer.More ...
Nadja Schöllhammer: Cyclops, 2009, installation at Akademie Schloss Solitude, Stuttgart (solo exhibition), paper objects with burn-ins, cut-outs, acrylic paint, glue, wood, wire, ash, chalk, coloured pencil, China ink and watercolours. 1,100 x 700 x 360 cm (room size) | Courtesy of Nadja Schöllhammer | Photo: Eric Tschernow

Artistic positions in painting and drawing

Site-specific murals figure less prominently now than back in the 1980s. Installation-oriented painters are increasingly working in three dimensions, though the main impetus for site-invasive explorations now comes from the field of drawing.More ...
Thomas Rentmeister: Earth Apple Room, 2007. Potato crisps, ca. 70 x 500 x 250 cm. Museum of Modern Art Frankfurt am Main. Exhibition view at Museum of Modern Art Frankfurt am Main, 2007 | Photo: Bernd Borchardt | © VG Bild-Kunst, Bonn 2013

Contemporary approaches to site-specific sculpture

Contemporary site-specific sculpture runs the gamut from conceptual approaches to all-over installations. The confrontation with geographic and historical settings is an important strand of contemporary art.More ...
John Bock: Malträtierte Fregatte, 2006/2007. Mixed media installation. Dimensions vary due to installation, squashed bus: 300 x 383 x 243 cm, dvd “Malträtierte Fregatte”: 66:41 min, dvd “Untergang der Medusa”: 9:37 min | Courtesy of Galerie Klosterfelde Berlin and the artist.

Contemporary performance-based installations

The paradigm change from self-enclosed material works to “situation art” has given rise to a host of site-specific installations that combine objects with actions in countless different ways.More ...