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WORK AND BIOGRAPHY |
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Charlotte Huddleston |
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Selected employment history |
| 2006- |
Curator, Contemporary Art, The Museum of New Zealand, Te Papa Tongarewa, Wellington. |
| 2004-2006 |
Assistant Curator, Govett-Brewster Art Gallery, New Plymouth. |
| 2001-2004 |
Gallery Manager, Enjoy Public Art Gallery, Wellington. |
| 2001-2002 |
Education Facilitator, Adam Art Gallery Te Pataka Toi, Wellington. Part-time. |
| 2000-2003 |
Exhibition Preparator, Adam Art Gallery Te Pataka Toi, Wellington. |
| 1999 |
Gallery Assistant, Auckland Art Gallery Toi o Tamaki, Auckland. Part-time. |
| 1999 |
Gallery Assistant, Oedipus Rex Gallery, Auckland. Part-time. |
| 1998 |
Researcher, Waikato Museum of Art and History Te Whare Taonga o Waikato, Hamilton. Part-time. |
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Other professional experience |
| 2006 |
External Moderator, Western Institute of Technology at Taranaki. Art History papers for Bachelor and Certificate of Visual Arts. |
| 2005 und 2006 |
Mentor, Artists Alliance, Auckland. Professional development mentor for visual arts graduates. |
| 2004 |
ArtExperience Workshop (Venice): No Vitrines, No Museums, No Artists. Just a Lot of People. With: Rirkrit Tiravanija, Maurizio Bortolotti, Daniel Birnbaum, Richard Shusterman, Philippe Parreno, Pierre Huyghe, Maurizio Nannucci. Domus Academy, Milan, Italy. Participant in five-day artist and curator workshop. |
| 2003 |
Advisor, NZQA advisory panel. Industry representative on Assessment Panel for Wellington Institute of Technology application for approval of a Bachelor of Visual Arts Degree course. |
| 2002 |
Advanced Level Internship, Smithsonian American Art Museum, Washington, D.C. Three months full-time. |
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Education |
| 1999-2000 |
Massey University. Postgraduate Diploma of Museum Studies. |
| 1990-1993 |
University of Auckland. Bachelor of Arts. Archaeology Major, Art History Minor. |
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Selected exhibitions |
| 2006 |
Mostly harmless: a performance series, Govett-Brewster Art Gallery, New Plymouth. Curator. |
| 2005 |
Linked: connectivity and exchange, Govett-Brewster Art Gallery, New Plymouth. Curator. |
| 2004 |
In Between, Enjoy Public Art Gallery, Wellington. Collaboration with artist Richard Lewer. |
| 2004 |
Co-ordinates for the Supersensible. HSP, Christchurch. Curator. |
| 2003-2004 |
Enjoy Presents:. High Street Project, Christchurch, Blue Oyster Gallery, Dunedin & Enjoy Public Art Gallery, Wellington. Co-Curator. |
| 2003 |
Practice. Adam Art Gallery Te Pataka Toi, Wellington. Curator. |
| 2002 |
Craftcamp. Enjoy Public Art Gallery, Wellington. Contributor. |
| 2000 |
Other and Self: A process of inclusion. Neut Gallery, Wellington. Developed and produced a community based exhibition project. |
| 1999 |
The Promoter. Independent exhibition project, Union Steamship Company Building, Auckland. Director of project. |
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Selected writing |
| 2007 |
Traversing the sculptural landscape. Catalogue essay for Lee Bul 2005 International Artist in Residence, Govett-Brewster Art Gallery, New Plymouth. |
| 2006 |
Fading in and out: the pleasure of distance. Catalogue essay for Saskia Leek 2005 New Zealand Artist in Residence, Govett-Brewster Art Gallery, New Plymouth
Linked. Catalogue essay for Linked: connectivity and exchange, Govett-Brewster Art Gallery, New Plymouth.
From the powder room. Catalogue essay for Hye Rim Lee Powder Room, Gus Fisher Gallery, Auckland. |
| 2005 |
Word reaches us from the distance. Catalogue essay for Ann Shelton 2004 New Zealand Artist in Residence, Govett-Brewster Art Gallery, New Plymouth. |
| 2004 |
How different from the sea is the boat. Article for Visit #7, Govett-Brewster Art Gallery, New Plymouth.
Co-ordinates for the Supersensible. Essay for self published exhibition catalogue
Much Like a Traveler. Catalogue essay for Karin van Roosmalen Much Like a Traveler, The Physics Room, Christchurch |
| 2003 |
Practice, an excerpt. Catalogue essay for Practice, Adam Art Gallery, Wellington. |
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Selected presentations |
| 2007 |
Jim Allen O-AR panel discussion, St Paul Street Gallery, Auckland University of Technology, Auckland. Discussion of Jim Allen exhibition. |
| 2004 |
Panning for gold: curating New Zealand now. Symposium City Gallery, Wellington. Presenter on panel discussing ‘the job of the curator’
Art Experience, Enjoy Public Art Gallery, Wellington. Presentation and discussion of May 2004 trip to Venice. |
| 2003 und 2004 |
Massey University School of Fine Art Design and Music, Wellington. Guest speaker for first year Fine Arts/Design students and for Professional Practice class fourth year Bachelor of Fine Arts students. |
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