During the last few decades Early Music has become an important genre in German musical life. An intensive discussion on historical performance practice, a plethora of specialised ensembles, and a large number of music archives all go to show that the scene, as it were, no longer merely inhabits a niche market. “Early Music from Germany” informs the reader about an area of music-making full of vitality, exhibits useful links and provides details about selected areas of the engagement of the Goethe-Institut.
Introduction
Current Trends
