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Goethe-Institut im Exil

Belarus

The Goethe-Institut in Minsk was established in 1994 – the same year that the first and last free elections in the young post-Soviet republic were held. These elections were won by Alexander Lukashenko, who then went on to establish an increasingly authoritarian regime.

Since then, the dedicated team at the Goethe-Institut has successfully used niches within the system to promote the development of an independent cultural and educational scene. The Goethe-Institut thus earned an excellent reputation locally as a reliable and long-standing partner and supporter. Through numerous cooperative projects, it also made a significant contribution to connecting Belarusian cultural actors with their German and European counterparts. Through co-productions, exhibitions, residencies, conferences, and concert tours, the Goethe-Institut played a key role in placing Belarusian culture on the European map.

The programmatic focus of the Goethe-Institut in Belarus included the promotion of contemporary art and culture, library-based networking, school and extracurricular education, memory culture, Jewish cultural heritage, urban initiatives, artistic mobility, and the cultural and creative industries.

The programmes and projects of the Goethe-Institut particularly benefited Belarusian society. Thousands of people have taken language courses here across several generations, received certificates, scholarships, and professional exchange opportunities. The institute was an important address in the country’s cultural landscape. A wide range of formats addressed different target groups: from Silent Disco to Early Music, from contemporary literature in our library to VR installations, from art installations to traveling exhibitions. At the heart of all this was collective learning, a love for culture, and the joy of exchange.

Although always at risk, the work of the Goethe-Institut in Minsk was gradually made impossible by the Belarusian authorities after the rigged elections in the summer of 2020. After the forced suspension of activities in the summer of 2021 and the subsequent intensification of repression by the regime, the property was abandoned and the dispatched staff withdrawn. As a result, the Goethe-Institut in Minsk is no longer visible for the time being.

“Anyone who has survived as a cultural worker in Belarus will have an easy time in exile”

Interview with Vera Dziadok

Vera Dziadok was the coordinator of cultural programmes at the Goethe-Institut Minsk from 2008 to 2021, until the institute there had to close and she had to leave her home country. In 2024, the journalist, translator and cultural manager curated the country focus on Belarus at the Goethe-Institut in exile. In this interview, she talks about how the extremely lively Belarusian art and culture scene developed into the engine of the new protest culture against the regime and how the artists are doing today.

Foto Vera Dziadok © Ksenia Yanko © Ksenia Yanko

Programme insights

Get an insight into selected programme contents of the country focus Belarus!

Belarus Festival

From 22 to 25 March 2024, the Berlin Kunsthaus ACUD was dedicated to Belarusian culture in the diaspora. Here you will find picture highlights of the festival, where over 50 artists from Belarus presented a diverse interdisciplinary programme.

A woman stretches her arms into the air in a dance-like manner. She kneels on a wooden bench surrounded by stone pillars. © Ksenia Yanko © Ksenia Yanko

Exhibition “sometimes i hold onto the air – Belarusian Artists in Exile”

In the exhibition sometimes i hold onto the air, curated by Katharina von Hagenow, Uladzimir Hramovich and Paulina Olszewska, which can be seen from 2 February – 29 May 2024 at Galerie im Körnerpark, young Belarusian artists in exile reflect on the protests in their home country that radically transformed their lives.

Further information on the exhibition and the participating artists can be found here.

  • © Marjorie Brunet Plaza © Marjorie Brunet Plaza
  • Exhibition view at the opening of "sometimes i hold onto the air" © Nihad Nino Pušija
  • Exhibition view at the opening of "sometimes i hold onto the air" © Nihad Nino Pušija
  • Exhibition view: Nadya Sayapina in collaboration with Eugene Buldyk, from the series ‘X Letters’: ‘Where are you from?’, 2023, and ‘My suitcase stands in the corner’, 2022. © Marjorie Brunet Plaza
  • Exhibition view: Lesia Pcholka in collaboration with Uladzimir Hramovich, ‘Scratches’, 2020 © Nihad Nino Pušija
  • Detailed view: Lesia Pcholka, ‘The Bases’, 2022 Mixed media installation (3-part). © Marjorie Brunet Plaza
  • Close-up: Rozalina Busel, ‘ŻAŁOBNY PORANEK’, 2023 © Marjorie Brunet Plaza
  • Exhibition view: Alexander Adamov, ‘WELCOME’, 2022 © Nihad Nino Pušija
  • Exhibition view: Antanina Slabodchykava, ‘Heroes, are merely heroes’, 2023 © Nihad Nino Pušija
  • Exhibition view: Anastazja Palczukiewicz, ‘Displaced’, 2023 Mixed media installation (3-part) © Marjorie Brunet Plaza
  • Detailed view: Varvara Sudnik, ‘SERVISAS’, 2023, Animation: alisch berlec hanov © Nihad Nino Pušija
  • Exhibition view: Vasilisa Palianina, ‘The Face’, 2023. sculpture: ceramic, glaze, glass beads © Marjorie Brunet Plaza
  • Exhibition view at the opening of "sometimes i hold on to the air" © Nihad Nino Pušija

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