Magazine

Thailand’s Performers and Protesters © Boys GenerationLeveraging K-pop’s Rhythms

Thailand’s Performers and Protesters

The Decline of Burmese Traditional Music © Ma Khin MyanmarSonic Culture in Myanmar

The Decline of Burmese Traditional Music

Neng Suprihatin (with microphone) leading domestic worker members of the Nur Assyifa Islamic chant (nashid) group at a mosque in the Novena area, Singapore. Photo: Shzr Ee Tan, 2021Listening to Transient Labour in Singapore

Acoustic Lives of Migrant Workers

Exploring microphone pickup patterns in soundscape recording. Photo by Hasnizam Abdul Wahid.Reflection and Listening from the Local Cultural Context

Sound as the Subject and Object of Musical Creation

Still from Another place across the river (2013 - 2014) courtesy Truong Cong TungWhisper-wails, Village Festivals, and Bolero

Funeral Rites

Foto: Myo SettSonic Resistance in Myanmar

Anthems of Social Change

Understanding the Work of Live Music

Liveness as Livelihood

Nguyễn + Transitory © Photo by Fatha K.An Interview with Nguyễn + Transitory

Failing at the Impossible: Attempts at Embodying Matriarchy

Tulong Anakpawis Kitchen in Manila, July 7, 2020. Photo of Ina Palacio.Rebel Generosity

Care Networks in Southeast Asia

Cover Pisitakun Kuantalaeng Phu-Bao-Gin-Maew

Thaiisaan Sound

© Joee MejiasNusasonic Field Notes from Myanmar

Dive into the New Spirit of the Yangon Underground

Budots, Imperial Manila, and Mananitas

"Yes to Dance No to Drugs"

A Tale of the Underdog

Music and Politics via Raja Kirik

No-Brain Dance project by Y-DRA. Image/photo by Yennu Ariendra/Asa Rahmana Dangdut Koplo

20 Years of Celebrating Dystopia in Java - Part 1

No-Brain Dance project by Y-DRA. Photo by Yennu AriendraDangdut Koplo

20 Years of Celebrating Dystopia in Java - Part 2

»The Tinikling Dance« 1954 oil on canvas painting by Fernando Amorsolo. Photo by the National Commission for Culture and the Arts CC BY-NC-SA 2.0Technophobia and Filipino Nationalism

The Bars Of The Bahay Kubo - Part 1

Multi award-winning filmmaker Kidlat Tahimik with his bamboo camera. Photo by Art Fair Philippines / Jojo GloriaTechnophobia and Filipino Nationalism

The Bars Of The Bahay Kubo - Part 2