Stories in Highlights
I’ve learned to overcome many complex issues and challenges - through effort, but also with experience and memory. For example, I realised that everything I know, all the practices I’ve accumulated so far and want to contribute to this space - are not enough. I needed to develop the most effective curatorial skills within myself. To establish clear and goal-oriented communication with the team. To cultivate greater precision, caution, and foresight during each event or activity. This is the best way to develop new essential skills. Although the local community needs more time to easily and confidently engage with such innovations, in Saniao we still managed to attract frequent visits and leave a pleasant impression on them through this environment. All of this also implies their continued closeness in the future.
We believe that the local community’s attitude toward our team has become even more positive, as the projects we implemented became more visible and tangible for them - such as ceramics made from local clay and its future potential, the technique of printing local hall designs and ornaments onto fabric, and a bench placed in the village center - all of which were created with their direct involvement.
Creating a space for people to listen to music, dance, and have fun is both challenging and a great responsibility - we strive to provide our guests with a healthy and safe environment. For the people of Martkopi, we are planting the seeds of a cultural hub and making the village more attractive for visitors from Tbilisi and other regions. What brings us the most joy is that “Ulevi” is earning people’s trust and affection - our musician friends, local volunteers from Martkopi, workshop leaders, and others who help us selflessly are all considered part of our team. The newly formed commune has become a space for constructive recreation for many, and for some, even a refuge.
The project “Gori Landscapes” was an attempt to capture the city of Gori that still exists within the rapidly changing flow of time - fragmented, unfinished, caught between the natural and the urban. What was most striking was how the photos, videos, and the “Shre” newspaper became a reason for dialogue - not as autonomous works of art, but as tools for reflecting on the city and rethinking one’s relationship with their surroundings. This different perspective became a discovery for many - which I consider one of the project’s most valuable outcomes.