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An exceptional French horn player born with no arms: this unusual sounding, real-life example demonstrates just how powerful inclusion in the arts can be. Accessible arts centres and inclusive art classes also have important roles to play.
The art world expected great things from the tenth edition of the Berlin Biennale for Contemporary Art – the first to be curated by an African woman. But the show refused to produce a simplified and linear narrative of colonialism.
ProjectsTopics and Projects of Goethe-Institut in Tanzania
The Goethe-Institut invites experts and creatives worldwide to exchange ideas on colonial power relations, their consequences and, above all, how to dismantle them: in discourses, interviews, opinion articles and art projects. For a decolonized and non-racial world.
