200 Years of Photography
Images, Representation and AI
200 years ago, reality found a new form in France: a lasting photographic image. Since then, photography has profoundly shaped how societies document, interpret and trust the world around them. From its early claims to objectivity to its mass dissemination through modern media, photography has oscillated between evidence and illusion. Emergence of artificial intelligence marks another decisive shift: images can now be generated without a physical referent, challenging long-held assumptions about authenticity, truth, and visual authority.
This open call invites photographers, artists, journalists, students, and curious practitioners to join a week of intensive workshop, where you will work closely with international artists and experts and explore the intersection of images, representations and AI.
About the Project
The Goethe-Institut Hongkong and the French Consulate of Hong Kong are excited to partner with the School of Creative Media, the City University of Hong Kong and Agence France-Presse for the project “200 Years of Photography: Images, Representation and AI”, supported by the Franco-German Cultural Fund.
The programme combines small, intensive workshops with two internationally acclaimed mentors, a public exhibition of the work-in-progress and discussions produced during the workshop, and a symposium that opens the conversation to the wider public. It is a space for making, thinking, and debating -- and for meeting people who take images seriously.
The Workshops
Instructors
Exhibition and Symposium
Work produced during the workshops, such as experiments, sketches, short films, and ideas in progress, will go on public display at the Goethe-Gallery, Goethe-Institut Hongkong in Wan Chai, opening on the evening of 12 October. This will be a live snapshot of a week’s thinking: raw, generative, and open to interpretation.
On 13 October, a public symposium at City University of Hong Kong brings the conversation to a wider audience. In partnership with Agence France Presse, the symposium will bring together artists, journalists, scholars and experts to address the challenges posed by artificial intelligence and disinformation in contemporary image cultures, fostering dialogue between professional practice, academia, emerging voices, and the wider public.
Schedule
5-6 October – Online Preparation Sessions
Two virtual sessions with the workshop mentors – an introduction to themes, methods
9-11 October – In-Person Workshops
Three intensive workshop days at the School of Creative Media, City University of Hong Kong
12 October – Exhibition Opening
Public showcase of the outcome developed during the workshops at the Goethe-Gallery
13 October – Symposium
Public academic symposium at City University of Hong Kong