Tammy Langtry
Tammy Langtry, works as an independent curator, cultural producer and researcher in South Africa. Graduated from the University of the Witwatersrand (2011), Langtry’s curatorial work and research negotiates creole theories and realities and South African Art History through urban, spatial and familial histories. Much of her exhibition making practice has considered post-apartheid (no)sense making through memory, psychological theory and cultural activism. She is interested in curatorial practice as cultural synthesis and the bridges between historicized artistic practice to contemporary art necessities. Langtry has worked across a range of industry and institutional spaces to produce exhibitions, programming and arts infrastructure.
Working as a Curator, Langtry has developed several independent and institutional curatorial projects. Some of the exhibitions include; Reflections of the Cape (2014), 21BF (2014), Spatial Relations (2016), States of Grace (2017), FreeSpace (2018), Why Should I Hesitate: Putting Drawings to Work (2019), Laying Bare: Studio Process at the Museum (2019-2020), The Possibility of a Journey (2020), Waiting for Gebane (2020).
Instagram: @tammytamati
Working as a Curator, Langtry has developed several independent and institutional curatorial projects. Some of the exhibitions include; Reflections of the Cape (2014), 21BF (2014), Spatial Relations (2016), States of Grace (2017), FreeSpace (2018), Why Should I Hesitate: Putting Drawings to Work (2019), Laying Bare: Studio Process at the Museum (2019-2020), The Possibility of a Journey (2020), Waiting for Gebane (2020).
Instagram: @tammytamati