Residency Relay

Black and white picture of a woman and animals in the snow Photo (detail): © Susanne Hætta/BONO 2020 The cross-border interdisciplinary project “The Right To Be Cold” focuses on the arctic and boreal region. The initiative, which mainly takes the form of a circumpolar chain of residencies and a virtual exchange in 2021, embraces issues relating to indigenous knowledge, ecology, climate justice and culture. The overarching theme is climate change, which is fundamentally challenging and changing living conditions in the northern regions.  

The Right To Be Cold* – Circumpolar Perspectives

Glaciers are melting, “eternal” ice is disappearing – it is getting warmer and warmer in the otherwise cold north. Climate change is making northern living conditions drastically more difficult. The international and interdisciplinary project “The Right to Be Cold” focuses on the so-called Arctic and Boreal region. In particular, it addresses questions of Indigenous knowledge, ecology, climate justice and culture, and the challenges the people in the regions affected by climate change are facing. 

The main format is a circumpolar chain of residencies and virtual exchange. Within this project, existing and new residency programmes in Nunavik, Finland, Yakutia, Norway and Sápmi establish a network for artists and researchers.

The programme “The Right To Be Cold” was developed with the advice of Tero Mustonen (Snowchange) and Elin Már Øyen Vister (Røst AiR). The Goethe-Institut would also like to express its appreciation to all those currently involved in the project: Aka Niviâna, Assinajaq, Avataq Cultural Institute, Dáiddadállu, Giovanna Esposito Yussif, Malakta, Patricia Rodas, Sámi Dáiddaguovddáš, Stina Aikio, Sunna Nousuniemi, National Art Museum of the Republic of Sakha.

Avataq Cultural Institute provides a strong foundation for the living culture of today’s Inuit. Since its inception in 1980, Avataq has built a solid reputation as the cultural leader for Nunavik Inuit and as an important resource for Inuit culture in Canada and beyond. Our goal is to ensure that Inuit culture and language continue to thrive into the future, so that our descendants can benefit from the rich heritage passed down to us through the wisdom of our ancestors. 
In the spring of 2009, Avataq Cultural Institute set up a new department called Aumaaggiivik, the Nunavik Arts Secretariat, with the goal of promoting the development of the arts in Nunavik, as well as encouraging economic development and the creation of long-term employment opportunities in the region’s arts and culture sector.  
Aumaaggiivik – which takes its name from the Inuktitut work that means "the place where sparks are sourced” – provides support to artists in every artistic discipline (the visual arts, music, media arts, literature, story-telling, etc.) by boosting their careers through a programme of arts grants and specialized training. 

Aumaaggiivik also provides artistic residencies, and supports the establishment of local infrastructure to provide work space for artists and to promote the arts both within and outside the region. In the context of ‘The right to be cold - Circumpolar perspectives’, the selected artist would be oriented to a community that suits its project's statement with the supervision of Aumaaggiivik’s staff. 
Malakta can be seen as an ecosystem built for and with artists in mind. Over the last 13 years, Malakta has built and improved the infrastructure in order to facilitate through different art based events, like residencies, workshop, labs, etc. the cultural exchange between the guest artists and the region. Since geographically Malakta is situated in the minority population area of swedishfinns and in the periphery of ‘the centralised art world’; our focus is on bringing more artists with a particular interest in the nature and the environment. Drawing a parallel with the Indigenous communities, a mutual interest can be achieved by sharing, investigating and understanding the human condition through the geopolitical circumstances, history, culture and also to improve our daily life in the symbioses with the environment. 
Malakta AiR focus on to bringing artists to Malakta art community which have nature as the inspiration subject in their art practice. Nature as a subject but also nature as a raw material. Nature as, by definition, something opposed to human creations, and Art, as a physical process of human creation. With the results of the residency is experience and rising awareness between natural and prefabricated habitat in which the contemporary society is moving towards. 
The aim of the Malakta AiR programme is to create encounters between art and nature, to increase an awareness of nature and art and to enable visiting artists to develop, create and share their work in a supportive and creative environment that includes a thriving artist community and purpose-built working spaces with nature around the corner. Malakta AiR continues to build a multi-art residency programme that has a clear and direct impact on local and regional communities, and that contributes to a more versatile and virile art scene and creates new forms of participatory and community art in the region. 

Spaces, equipment, resources: 
A private studio and 24 hour access to other work spaces and tools. Wood and metal workshop. A studio with a wooden dance floor. An editing suite (built as a mini-cinema). A photographic dark room. Accommodation - a choice of 3 double rooms with access to shared kitchen and bathroom facilities, a total capacity for 6 people at same time. Access to traditional Finnish wood-burning saunas (one larger and one small). A laundry room with a washing machine and dryer. The use of a car and bicycles. Large outdoor spaces suitable for activities and events with a fireplace/barbecue. 
Staff and support: 
Guest artists will be assigned one contact person, from the board of Malakta, who will guide and support the guest. Additional support from 1-2 artists from Malakta's communityl. Visits to other artists and organisations, partaking in other arts and culture events. 
The National Fine Arts Museum of the Republic of Sakha (Yakutia) – is a key center for art and culture in the world’s coldest inhabited city, Yakutsk. Founded in 1928, the museum crystallizes experience of many generations of artists who cultivated the image of the Northern region in the difficult historical conditions. The National Fine Arts Museum of the Republic of Sakha (Yakutia) is represented in eight platforms across the republic and in 2019 expanded with the House of Artists – one of the most significant places for the art scene from the 1960’s. 
We invite artists from multiple disciplines, whose practices are focused on themes raised by “The Right To Be Cold” project and address the local context. A dialogue with local residents is essential: artist-talks, artist-led workshops, and a public presentation of final work will be supported by the museum staff. 
We provide studio space in the House of Artists, a coordinator from the staff of the National Fine Arts Museum of the RS (Y), support in communication with local institutions and the art scene.
Røst AiR is a non-profit, multi- disciplinary, artist-in-residence and artist-run association. We are based on Røst and during the summer season we also move out to Skomvær Lighthouse on Skomvær island in the Røst archipelago, Northern Norway/Sápmi, (67°North), a stones throw from Nykan nature reserve, home to one of Northern Europe's largest pelagic seabird colonies.  
Our focus and interests include but are not limited to: The ecological transition, geo-politics, diversity, self-sufficiency, race, gender and intersections between ecology, de-colonial thought and action, post-colonial feminism and queer theory. Site-specific projects, process- work and interdisciplinary meetings are encouraged. Having said this we would like to underline that we are open to an infinite number of singular or communal expressions of artistic practices. 
Røst AiR is working on alternative ways of navigating, creating and being in this world, exploring for instance the post- fossil fuel potential. We are inspired by the coastal Sámi and Northern Norwegian fisherman- farmer tradition and are slowly restoring the old lighthouse vegetable and herb gardens.  
We host a varied number of artist in residencies during a year. We also organise and host workshops, seminars and happenings. Røst AiR works by invitation, but there will be a few spots available for open call and some for guest artists. All artistic and theoretical practices are welcome.  
The residency includes a combined living and working space, as well as support towards "green" travel expenses. The food is mainly organic and/or local, and is included in the stay, with one to two communal meals a day. A grant for green travel and stay is given to each artist. Sometimes we also offer material stipends.  
We have a eco-friendly profile and ask people to travel "green" and stay as long as they can. Artists in residency (and people travelling from abroad) should stay a minimum of one month(including the green journey). 

Address: Karasjok/Kárásjokha (Suomageaidnu 14, 9730 Karasjok) with trips to Kautokeino/Guovdageaidnu and Inari/Ánaar 
Contact info: 
This residency will be co-hosted by: 
  • The Sami Center for Contemporary Art/Sami Daiddaguovddas (Karasjok/Kárásjokha) 
  • Dáiddadállu – Artists Collective (Kautokeino/Guovdageaidnu) 
  • Sunna Nousuniemi (Inari/Ánaar)    
Life and work place is a 3-room (living, studying, working) space with access to a fully equipped kitchen at The Sami Center for Contemporary Art in (Karasjok/Kárásjokha). Trips to Kautokeino/Guovdageaidnu and Inari/Ánaar will be organised, with possibilities for a shorter stay on these locations.  


Dáiddadállu is a unique Sami artist collective founded in Guovdageaidnu/ Kautokeino, Sápmi in 2014.  
Today: The artists on Dáiddadállu possessing expertise in their respective fields and together we represent subjects like visual contemporary art, photography, film, television production, graphic design, writing, music, choreography, interior design, acting, yoik and music. All Dáiddadállu members have connections to Guovdageaidnu/Kautokeino, but traveling and working on projects around the world. Dáiddadállus overall objective is to create a strong and enabling environment for Sami artists. Our goal is professionalization of disciplines and profitability in the artists' businesses. 

Sámi Dáiddaguovddáš/ the Sami Centre for Contemporary Art (SDG)  

SDG was founded in 1986 by the Sami Artists’ Union, which along with the Sami Parliament of Norway created the Sámi Dáiddaguovddás foundation in 2013. The foundation continues the work started in 1986 in its new premises in Karasjok, which opened to the public in 2014.  
At the new centre, SDG carries out an extensive programme of exhibitions and events with a primary focus on Sami contemporary art, featuring artists from Norway, Sweden, and Finland but also other international artists. SDG aims to be a resource centre for Sami art and culture and also engages in external activities both nationally and internationally. SDG’s mission is to promote and present Sami visual art and similar endeavours, act as the leading resource centre for Sami contemporary art, and serve as a forceful, recognized, respected, and broadly visible actor on the contemporary art scene. SDG works on developing and expanding the encounters between Sami contemporary art and the general public. SDG also aims to present, arouse interest in, and help viewers appreciate contemporary art, provide a venue for new, experimental artistic practices, and work to ensure artistic freedom. 

From the Residencies



Marie-Andreé Gill

​Marie-Andrée Gill

Marie-Andrée Gill is Pekuakamishkueu and identifies primarily as a poet. Mother, friend, lover, student, her research and creative work concern transpersonal and decolonial love. Bridging kitsch and existentialism, her writing is rooted in territory and interiority, combining her Quebec and Ilnu identities. She is the author of three books: BéanteFrayer, and Chauffer le dehors. In 2018 she was the winner of the Indigenous Voices Award. She lives in L’Anse-Saint-Jean, Quebec. Marie-Andreé Gill will be a resident in Sápmi and in Røst.
Marije Jenssen

​Marije Jenssen

Marije Jenssen is a Norwegian-Sámi painter and installation artist from Balsfjord, Norway. Her work is inspired by Northern Norwegian landscape, lifestyles and traditional materials and techniques within weaving. Her focus lies on highlighting the processes of cultivating traditional resources in a sustainable contemporary context. Marije graduated from UWC Adriatic (2014) and Kunstskolen i Bergen (2018). She spent the first two years of her Visual Art Bachelor at KMD in Bergen (2018-'20), and completed her degree at Tromsø Art Academy in May 2021. Marije Jenssen will be a resident in Nunavik.
Tanja Koistinen

Tanja Maria Koistinen

Tanja studies diverse identities in the North. Using multi-disciplinary working methods, such as artist-led community art workshops, environmental art and art & science collaboration, Tanja builds her art in the forms of visual arts, installation, documentation photography and storytelling through self-reflection, simplifying, portraying and color. Tanja Koistinen is a person from the province of Lapland, Finland, who is connected to Inari Sámi culture through her ancestry, family homeland (Njellim, Sapmi) and livelihood. Currently she works and lives in Äkäslompolo, North-West Lapland, Finland.Tanja Koistinen was a TRTBC-resident in Sakha.
Tatiana Philippova

Tatiana Philippova

Tatiana Philippova is a writer, focused on fragmentary prose. That’s how she as a queer person, a lesbian and a Sakha woman recollects her «self» by decolonizing her experience.  Her grandparents were forced to leave their land during the WW II, now global climate change gradually transforms their former home into some other place. Can modern Indigenous people of Yakutia find new homeland elsewhere or should they continue to live on their ancestors land – this is the question she tries to answer in her expression. Tatiana is a winner of Znamya literature magazine award 2020. She lives in Yakutsk.Tatiana Filippova will be a resident at Malakta and in Røst.
Svetlana Romanova

​Svetlana Romanova

Svetlana Romanova was born in Yakutsk, Russia and studied visual arts in Los Angeles. She has received her BFA at Otis College of Art and Design, and MFA at California Institute of the Arts. From 2009 to 2014, she lived and worked in arts education in California. After returning to Siberia in 2015, she started working on several film projects about her hometown and regions around it. Her video project is an investigation of two local Indigenous groups that she belongs to (Evenk and Sakha). Her work has been screened and shown in various art venues in California and Russia. Svetlana Romanova was a TRTBC-resident in Nunavik and in Sápmi.
Niap (Nancy Sanders)

Nancy (Niap) Saunders

Based in Montreal, QC, Niap (Nancy Saunders) is an award-winning multidisciplinary artist who divides her time between the city and her home community of Kuujjuaq, Nunavik – a place that continues to deeply influence her work. Working across media, Niap thoughtfully investigates her cultural heritage and identity as an Inuk woman through her practice. Working across painting, performance, sculpture and photography, Niap has produced a wide ranging body of work from murals to immersive installations to portraiture. Niap will be a resident in Sakha and at Malakta. 
Maggie Narpatuk

Maggie Napartuk

Maggie Napartuk is a multidisciplinary artist from Nunavik. Ever since daycare as a child she loved making all kind of arts, mostly painting, jewelry making and printmaking. Her drawings are usually about Inuit culture and tradition. Her goal as an artist is to have her very own studio and she also wants to learn how to make soapstone printmaking like Inuit were accustomed to when they first started printmaking in the past. Today, she sells her art in Canada, the US and also France.