Lucie, almost thirteen, is annoyed by many things; most of all that she’s expected to vacate her room for mom’s new boyfriend. That’s why she wants to move to Berlin, but it’s expensive. She finds a job – working for a very strange old man.

A red E on a black ground: Erebos is back. And this merciless game has not been idle these past ten years: not only has it forced old gamers back into the game, it is even recruiting new ones. No one gets away, because the game is smarter than ever – and has a plan of its own.

What does a writer do all day long? If you want to find out in an entertaining way, you should definitely read Heinz Strunk’s latest work. Similarities with the diaries of late great writers are fully intentional.

Visitors to museums and archives usually interact with exhibits locked in display cases in darkened rooms. Yet modern technology has given us ways to more directly experience art and cultural artefacts. Coding da Vinci is an open, cultural data hackathon that digitally brings museum pieces to life.  

University teaching has become increasingly specialised over the centuries. But the topics addressed in research today increasingly require an interdisciplinary approach.  Leibniz Association president Matthias Kleiner sees a renaissance of universal research. 

Carbon offset schemes promise to compensate for the emissions caused by private individuals – as air travellers, for instance – with donations to climate projects. But are they not just a way of salving guilty consciences?  

Over the past 120 years, Marxist ideas have undergone frequent revivals on the silver screen.

German television shows tend to have a bad reputation for poor writing and cheap productions not suited for an international market and audience. Now series like “Deutschland ‘83” and “Babylon Berlin” are putting a new shine on that tarnished image. 

Who are they and how do they live? The advertising and media world has discovered a new target group: Generation Z, fully digitalized since birth, is coming of age. But on screen they are (still) representing the lives of Millennials.

In 2019, global problems found their way into the German scene: Climate crisis, displacement from inner cities, Israeli-Palestinian conflict – it seemed as if the club culture was no longer the hedonistic playground it was meant to be. However, the year’s musical trends put a stop to that.

While we’re ushering the old year out these days, the conclusions drawn are of significant weight considering that 2019 is the end of an entire decade. The new decade beckons, smiles, threatens. The twenties of the 21st century! In order to make a good transition, we need to know what we’re leaving behind. What’s resonating in our ears, what’s stayed in our hearts, what debates have we been having and what can we simply put in the bin?

The German classical music scene is still preoccupied with #MeToo and what to do about dirty old men. And grappling with badly needed renovations.