Havel, Dogs, Cats, Tulips—Garz Talks

They speak for those who have no voice. That’s what the populists say. The Garz project introduces young authors who really have talked those people and they have given them a voice. The truth in their life accounts was complex, sometimes disagreeable. A small town of 145 souls, located North-West of Berlin. Based on a variety of many different snapshots and portraits, a vivid picture has been created—Garz talks. Not suitable for Twitter.

Esther Dischereit has published fiction, poetry, and essays, as well as plays for radio and the stage. In 2009, she received the Erich Fried Prize. Dischereit's work reflects the cultural landscape of post-Holocaust Germany, most recently in Vor den Hohen Feiertagen gab es ein Flüstern und Rascheln im Haus (Before the High Holy Days the House was Full of Whisperings and Rustlings, 2009), the book adaptation of a permanent sound-installation Holocaust memorial. In 2014, she published the book and libretto Klagelieder: Blumen für Otello. Über die Verbrechen von Jena. (Lamentations: Flowers for Otello. On the Crimes of Jena). They are dedicated to the victims and their families of a series of racist killings perpetrated in Germany between 2000 to 2007. This work was followed by the sound installation and book The Child with the Big Face (Museumsquartier Vienna in August 2014). She is Professor of Language Arts at the University of the Applied Arts in Vienna, and was the Max Kade German Writer in Residence at the University of Wisconsin in Madison in 2013. Since January 2017, she is the Max Kade Professor in the Department of Germanic Languages & Literature at the University of Virginia.