Don't Come Knocking

Howard Spence has had enough. The aging Western film star secretly leaves the filming location in Utah and flees to his mother in Nevada. She tells him he has a child in Montana; Howard goes in search of it and finds a son, the mother and also a daughter in Butte. The meetings with his new-found family members give rise to conflict, but are cut short when an insurance company’s private detective tracks down the actor and takes him back to the film set.