On Tour with...
... Danko Rabrenović through Düsseldorf
In Düsseldorf everything is only 10 minutes away: a fact that Danko Rabrenović really likes about this metropolis on the Rhein, which he has chosen as his home and the epicenter of his life. Let us take you through Danko‘s Düsseldorf on a bicycle.
To begin with, this was not a voluntary choice. Born on February 9, 1969 in Zagreb as son of a Croatian and a Serbian, the musician, author and radio jockey reached Germany as a refugee and had to leave behind Belgrad, the city where he grew up, where his friends live and where he founded his first band, in order to evade military service in possibly the bloodiest of all conflicts that Europe has seen since the end of the second world War. Thus, he can relate to all whose flight from their country led them right across the globe to Europe where they are living now. However, he emphasizes the point that he didn‘t have to "travel in a shitty boat over the Mediterranean" and to steer to an uncertain fate in a reception camp.
The First Hop: KIT
Danko, who sees himself as a kind of a modern nomad, likes to be on the move. Without leaving his familiar surroundings and widening his horizons a man can hardly understand other cultures and other people. One who stays home always misses out an important shaping of character; a circumstance which ever so often leads to the behavior that manifests itself these days in the form of anger or hatred towards foreigners.Danko and I are also on the move today. After days of rain there is finally a weather prospect which allows us to be on our bicycle seats together and take off from Düsseldorf. Our meeting point is the Cafe of KIT, short for "Kunst im Tunnel”, on the bank of the Rhein in the immediate vicinity of the Landtag and within the range of vision of the top of the television tower. Danko likes to hang around here.
Home is in the heart
Danko says about himself that he likes travelling. He relates a positive feeling to it. "It’s a story which all modern nomads have in common. We carry the home in our hearts; it’s not a geographical coordinate but a feeling. On the way to a new place, a person always expects something good. But once he reachs there, he experiences certain things apart from all the beautiful things that he would rather forget, which would be better in ‘the other home’.” Looking back, Danko believes that he already had this feeling in his childhood. In his youth, however, it was „not his theme“, what really brought it forth was leaving the former Yugoslavia. The first impression that Düsseldorf made on him was, however, not the best. Even though Düsseldorf was a step up from Recklinghausen, at first it seemed boring, bourgeois, too clean and rich. It was his studies and his girlfriend at that time that brought him there. “Each time I visited friends in Paris or Berlin and then sat in the S-bahn again, I would think: What are you doing here? But today, 20 years later, I find Düsseldorf lovely. As a family man with children, I won’t like to live in Berlin. Here, everything is manageable.”Down the Rhein towards Tonhalle and to the Rhein meadow
Between the bakers and the office: The Nordstraße
From here we go on our bicycles right through Pempelfort to Nordstraße. On this busy street Danko finds everything that he wants: His supermarket, the bio-shop as well as the family doctor and the Dpd-shop through which he dispatches CDs and Vinyls to fans. But also his whole microcosm in Düsseldorf is located in the immediate vicinity with a maximum distance of 10 minutes. All members of his band live here, between Pempelfort and Zooviertel beyond the railway line. He lives with his wife and two children; the studio and the rehearsal room are located in the backyard with around 120 m² including his office. “Earlier I worked at home but at some point it didn’t work anymore. When the second child comes to your life, then you can’t work at home without interruptions anymore. You can’t simply shut the door. In my office I can concentrate completely on my work, but am always a call away. My daughter goes to the school around the corner; if there’s something I am able to go there immediately.”Center for Creativity, Münsterstraße
“My focus in my youth was the band; I wanted to be a pop star”, says Danko. “But it just so happened that I ended up with a former colleague of my mother at the WDR. However, I realize now how many things I have been learnt as a child of two radio journalists. The photo on my study table is, nevertheless, a coincidence. When my father died in 97, I saw this picture and picked it up. At that time I was not yet in radio. The insane part is that he never got to know that my brother and I ended up in radio. But he would certainly have been proud of us.” In his programme ‘Balkanizer’, he talks to people from his neighbourhood and some, with whom he comes into contact, about their stories and their connection to the Balkan. Since 500 episodes, music and oral history have been combined in it.
Borderless Balkan, boundary-less world
Balkan means for ‘The Balkanizer’ not only the former Yugoslavia but also the surrounding area from Romania, Greece uptil Albania. “Borders, patriotism and identification are repugnant to me. It’s all just pigeonholing, prejudices according to which we are categorized and according to which we order our lives. It begins early on. When you’re in a stadium, you’re a fan of your team, when you travel you are suddenly a German at least when you look that way. If you have a German passport but you are black, then people ask you where you come from. You say then: From Germany; then they ask you where you were born. When you say: In Germany, then they ask you where is your origin, if it’s Eritrea or Sudan. That is nonsense because you’re a man not a piece of a puzzle. The older a man grows, the more complicated and perplexing this picture becomes. That is however a good complexity. No man is like the other. Even two brothers who were brought up the same way can be completely different: One may be a murderer, the other a saint.”
Four Balkans, three German guest-workers
The new album ‘Aprililili’, which appeared in 2015, also hits a note of social criticism. “The song ‘Che’ is about the runarounds of the politicians in Yugloslavia. It just doesn’t change, no matter who comes into power. It’s always the nationalists who are corrupt. We also have a song about how we are all being bugged by the NSA. It’s obviously in English, so that we don’t have to employ a translator.”