Wondrous Sightings - Silas Edwards

Exhibition | German contribution

  • Biennale de l’Image Possible, Liège

  • Language German, English, French, Dutch
  • Price 0-20 €
  • Part of series: Through the looking glass

Edith Morris, Stills from TROLSK (2025) Edith Morris

Edith Morris, Stills from TROLSK (2025). Courtesy of the artist. 2.png © Edith Morris

Silas Edwards presents Wondrous Sightings, featuring the artists Weronika Gęsicka, Edith Morris and Henry Turner.

Legendary creatures such as the Loch Ness Monster or Bigfoot have long challenged photography’s ability to prove reality. In the age of AI-generated images, this challenge resurfaces in new forms: non-existent animals are circulating on social media and even finding their way into scientific databases. As well as casting doubt on the credibility of visual representation, these images also reveal our projections, fears and desires when faced with nature. Against a backdrop of collapsing biodiversity, cryptids (animals whose supposed existence is not supported by any scientific evidence) thus become a mirror of an increasingly troubled relationship between our imagination of living things and living things themselves. The exhibition Wondrous Sightings explores this uncertain boundary between evidence and imagination through the works of Weronika Gęsicka on invented encyclopaedias, Edith Morris on enchantment through photographic hoaxes, and Henry Turner on the mythical evolution of an iconic New Zealand cryptid image.

Silas Edwards

Silas Edwards (Wales, 1999) is a curator and PhD researcher in visual culture and environmental history at the Graduate Centre for the Study of Culture in Giessen (Germany). He currently lives in Frankfurt am Main, where he completed a Master’s degree in curatorial studies at the Städelschule and Goethe University in 2024. His curatorial practice spans contemporary art as well as historical and natural history exhibitions. His research interests include the history of photography and photomechanical printing, the emergence of consumer culture, and the construction of knowledge about the natural world in the modern era.

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