She Who Summons

Window Projections|Networks of the Black Atlantic

She Who Summons, dir. Mallory Lowe Mpoka | Amy Seck Collé & Ngosse Mbaye © Mallory Lowe Mpoka

She Who Summons, dir. Mallory Lowe Mpoka | Amy Seck Collé & Ngosse Mbaye © Mallory Lowe Mpoka

Experimental Dance Short Film by Mallory Lowe Mpoka | Senegal, 2025
Director: Mallory Lowe Mpoka
Choreographer / Performer: Amy Seck Collé & Ngosse Mbaye
Cinematographer: Aton Tsiba
Costume Designer: Mallory Lowe Mpoka & Abdoulaye Mbaye
Composer / Musician: Papalaye Cissokho
Special thanks to: Macoumba Ciss, Kewe Lo, Fatima Binta Rassoul Sy, Filly Gueye & to the whole team of École des Sables.

Set against the backdrop of a red-soiled quarry in Mbour village, Senegal,She Who Summonsis a poetic and experimental dance film exploring the shifting terrain between two women—their gestures, their silences, and the charged space between them. Through choreography that blurs the boundaries between ritual and relationship, tension and tenderness, the film excavates the layers of love, friendship, and emotional memory inscribed in the body.

The film begins with the breath of Peul flutist Papalaye Cissokho, grandson of the master Mandingue “korafolas” Soundioulou Cissokho—calling a tale to life, rooted in the rhythm of oral tradition. As dancers Ngossé Mbaye and Amy Collé Seck—both graduates of the internationally renowned École des Sables—move across the quarry’s scarred earth, their connection unfolds in fragments: touch, refusal, mirroring, retreat. The soil is not just ground, but witness; it clings, marks, receives. In its red dust, they summon what is unspoken: a soft power, a remembered ache, a call toward care.

Quarries—sites of extraction that disrupt ecosystems—are both setting and silent subject. Yet even in this wounded terrain, life persists. Resilient, medicinal plants like the Apple of Sodom push through the cracks. Moving among them, the dancers embody a grounded presence, reimagining a more intimate, reciprocal relationship with the land.

The film had its premiere at Fonderie Darling on September 11 and was featured in the exhibition The Matriarch: Unravelled Threads, curated by Marie-Ann Yemsi for MOMENTA Biennale.
The window projections are part of the exhibition In The Wake of Our Archives: On Transmission and Inherited Memories, which will take place at articule from November 13 to December 6. The exhibition will be presented in two stages: at articule in November 2025 and at the Alliance Française (early 2026). The whole event is part of the international symposium Networks of the Black Atlantic: Cultural Heritage, Knowledge, and Solidarity, a project by Nigra Iuventa, organized in collaboration with the Consulate General of France in Quebec and the Goethe-Institut Montreal, which takes place in Montreal from November 18 to 22, 2025.