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The Gift That Keeps on Giving©Eugen Korda

The Gift That Keeps on Giving

Lecture series, curated by Lukáš Likavčan 


The ambition of Goethe-Institut Bratislava's lecture series The Gift That Keep on Giving is to investigate gift exchange as a latent promise of a post-capitalist economy-to-come, tailored for the 21st century's condition of the deep human entanglement with the planetary reality. While last decades marked tremendous intellectual development with respect to historical, political, and ecological conceptualisation of this entanglement, its economic underpinnings remain unclear. But one thing is clear for sure: the reality of a late capitalist platform economy, which opens towards a range of post-capitalist futures spanning new models of exploitation as well as those of planetary cooperation. Under such circumstances, can humanity as a biological species give itself the most generous of all gifts it seems to be capable of, the gift of just, dignified, autonomous and communal existence?


By its definition, Goethe-Institut Bratislava supports the development of cultural practices in the broadest sense, spanning contemporary visual and performative arts, design, architecture, or digital media. The Gift That Keeps on Giving series understands workers in these fields as stakeholders in crafting the future economies of gift and cooperation. Since the idea of ‘sharing economy’ has been largely monopolized by corporate digital platforms, the institutional framework of cultural practices must be rethought, so that it points beyond cooperation and gift exchange as just an adaptation to precarious conditions, and so that it does not turn both terms into an alibi of institutionalized economic austerity. That brings some crucial questions into the foreground: What are the concepts and instruments the cultural institutions and workers need to act prefiguratively in the development of new economic models? What paradigms of such action are available across disparate geographies, histories, and cultural contexts?


The emergent big picture the series provides is both planetary and situated in its scope. It pleads for a larger integration of heterodox economic thinking into the education of cultural workers, and into their institutional practice. In order to do so, the series traces alignments between insights of theorists, anthropologists, economists as well as cultural organizers, that together capture what can be expressed by a charming, composite German expression Gelingensbedingungen – the landscape of conditions of possibility of a prefigurative pursuit. As this landscape unfolds before our eyes, one may even discover these conditions of possibility has been already here for a very long time, perhaps even from the beginning of time’s counting.


All events are held in English online via Zoom

JUNE 14TH 2022, 5PM CEST

Online lectures by Eva Fraňková, Rafael Moscardi Pedroso and Lukáš Senft
Annotation: In German, ‘Stoffwechsel’ means literally ‘material exchange’, and it is often translated to English as ‘metabolism’. This event will cover two perspectives on connotations of exchange and metabolism, to build theoretical foundations that lead to appreciation of more-than-human economy. We will see how to approach gift economy from the vantage point of Kojin Karatani’s ‘The Structure of World History’ (2011), and we will also get familiar with current perspectives on socio-economic metabolisms in ecological economics, as well as on the anthropology of gift economies in Eastern Europe.


Online conversation with Black Swan (Laura Lotti, Penny Rafferty, Calum Bowden, Leïth Benkhedda)
Annotation: The eschatology of Kojin Karatani’s world-historical perspective lies in the promise of a gift-economy-to-come, the second coming of communal mode of human existence that overtakes and transcends all earlier modes of exchange. The open question remains: What platform or medium can facilitate this kind of communal economy? Together with Black Swan collective, we will discuss and test their proposals of technological protocols for implementation of alternative gift economies into art making.


Online conversation with Victoria Ivanova
Annotation: Building on our previous engagement with protocols for gift economies, we will dedicate this session to institutional aspects of alternative economic models in the context of artworld. The narratives of gift economy oscillate today between DYI ethos on the one hand, and corporate capture on the other hand. To better understand the potentials of the gift for the cultural sector, Victoria Ivanova from Serpentine R&D platform will discuss and demonstrate their efforts to create future institutional ecologies around unorthodox economic models.


Wrap up commentary by Lukáš Likavčan, accompanied by audiovisual work by Sahej Rahal
Annotation: The final session of ‘The Gift That Keeps on Giving’ will wrap up with a commentary by its curator Lukáš Likavčan, who will synthetise the intellectual threads of the past sessions into a philosophical concept of the Planetary, which represents the generic space of metabolic exchange. This commentary will be accompanied by an audiovisual work by Sahej Rahal.



Lukáš Likavčan © Romana Drdova

Lukáš Likavčan (SK)

Lukáš Likavčan is a philosopher focused on technology, ecology and visual cultures. He received his degree in philosophy and PhD in environmental studies at Masaryk University in Brno, Czech Republic. He is joining NYU Shanghai in September 2022 as a Global Perspective on Society Postdoctoral Fellow. In the past, he was based at Wirtschaftsuniversität Wien, The Hong Kong Polytechnic University, Strelka Institute for Media, Design and Architecture, Academy of Fine Arts and Design in Bratislava, FAMU in Prague and BAK, basis voor actuele kunst, Utrecht. Likavčan is a member of Prague-based collective Display – Association for Research and Collective Practice, and an author of Introduction to Comparative Planetology (Strelka Press, 2019). More info at

Rafael Pedroso ©Rafael Pedroso

Rafael Pedroso (BR)

Rafael Pedroso is a Brazilian independent scholar. He holds a Master's in International Relations at PUC-Rio, with a thesis focused on reading Marx in the Anthropocene by weaving together Marxist Ecology and Media Theory. He is currently finishing a Certificate in Critical Philosophy at The New Centre for Research & Practice, where he also works. His interests revolve around Political Economy, Ecology, Technology, and political experimentation. He is engaged with several para-academic institutions and groups, such as The New Centre for Research & Practice, the Subset for Theoretical Practice, and GTEC (Study Group on the Philosophy and History of Technology) in Brazil.

Eva Fraňková © Eva Fraňková

Eva Fraňková (CZ)

Eva Fraňková works as an assistant professor at the Department of Environmental Studies (Faculty of Social Studies, Masaryk University in Brno, CZ). She studied biology in České Budějovice (Bc.), and environmental humanities (Master and PhD) in Brno. Her long-term research interests include alternative economic practices, eco-social enterprises, localization, and the concept of sustainable degrowth. She has been researching material, energy, and monetary flows involved in local food production at organic farms, as well as alternative economic practices and social enterprises in the Czech Republic. Currently, she puts most of her working time to the concept of degrowth.

Lukáš Senft ©Anna Kasíková

Lukáš Senft (CZ)

Lukáš Senft (1990), essayist, anthropologist. He studied documentary film at FAMU and religious studies, anthropology, and philosophy at Charles University in Prague. He worked as editor and columnist for Deník Referendum. In 2017, he received an award for the best Czech journalist up to the age of 33 for his columns. In 2019, he edited the essay anthology Znovu objevit Zemi dealing with the climate and ecological crisis. Currently, he is the editor of the essay section in Tvar Literary Magazine and a researcher at the Institute of Sociology at the Czech Academy of Sciences. In 2020, he won a prize of the Czech Association For Social Anthropology for his thesis on the return of wolves to the Czech landscape. He currently studies within the PhD program at the Faculty of Social Sciences, Charles University. His doctoral research uses multispecies ethnography and is concerned with the Czech mushroom foraging and the involvement of the mushrooms in Czech food production and economic and health practices. 

Victoria Ivanova ©Victoria Ivanova

Victoria Ivanova (UA)

Victoria Ivanova is a curator, researcher, and writer living in London. Having previously worked in the human rights field, in 2010, she co-founded a multidisciplinary cultural platform in Donetsk, Ukraine, which critically explored the intersection between activism, education and artistic research. Ivanova is one of the founding members of Real Flow—a research and development platform for socialising finance. Her practice is largely informed by systems analysis and her interest in infrastructures as mechanisms for shaping and (re)producing socio-economic and political realities. Current research interests include technological innovation and financialisation in the context of the contemporary art sphere, and possibilities for new technological infrastructures in prototyping post-Westphalian citizenship models.

Black Swan © Black Swan

Black Swan (DEU)

Established in 2018, Black Swan is a Berlin-based collective pursuing horizontal and decentralized approaches to the traditional art world templates for art making. Through peer support, artist-led funding and community organizing, they place resources into the hands of the users rather than the gatekeepers of the arts. Black Swan is developing digital toolkits for artists through a methodology that puts play at the center. Existing communities of creative practitioners are invited to test and experiment with forms of interaction, modes of organization, and sustainable economic models in role-playing events, working groups, and hackathons. Launching in 2022, the Black Swan DAO aims to become a translocal and mutable source for distributing resources and value differently across interdependent art worlds. Black Swan is currently maintained by Laura Lotti, Penny Rafferty, Calum Bowden, and Leïth Benkhedda.

Black Swan