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7:30 PM
Nosferatu the Vampyre
Film Screening|Werner Herzog’s only horror film
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River Oaks Theatre, Houston, TX
- Language In German with English subtitles
- Price $5
- Part of series: AMONG FRIENDS (2025), Among Friends: On Air
Before the screening, Dr. Sandy Frieden will share introductory remarks.
Werner Herzog’s only horror film is as rich with artistry and tragedy as his most grounded, human work. It is 1850 in the beautiful, perfectly-kept town of Wismar. Jonathan Harker (Bruno Ganz, DOWNFALL; WINGS OF DESIRE) is leaving on a long journey over the Carpathian Mountains to finalize real estate arrangements with a wealthy nobleman. His wife Lucy (POSSESSION’s Isabelle Adjani) begs him not to go and is troubled by a strong premonition of danger. Despite her warnings, Jonathan arrives four weeks later at a large, gloomy castle. Out of the mist appears a pale, wraith-like figure with deep-sunken eyes who identifies himself as Count Dracula (Klaus Kinski). The events that transpire slowly convince Harker that he is in the presence of a vampire. Even still, he doesn’t realize the magnitude of danger he, his wife and his town are about to experience.
“It is about the mood and style of vampirism, about the terrible seductive pity of it all.” - Roger Ebert
Dr. Sandy Frieden taught German film at the University of Houston for 40 years, both face-to-face and online, and teaches now at The Women’s Institute of Houston. She has made dozens of presentations on German film, published more than fifteen articles on German cinema and literature, authored a study on German-language autobiography, and was lead editor for Gender and German Cinema: Feminist Interventions (Vol. 1 & 2).
Werner Herzog’s only horror film is as rich with artistry and tragedy as his most grounded, human work. It is 1850 in the beautiful, perfectly-kept town of Wismar. Jonathan Harker (Bruno Ganz, DOWNFALL; WINGS OF DESIRE) is leaving on a long journey over the Carpathian Mountains to finalize real estate arrangements with a wealthy nobleman. His wife Lucy (POSSESSION’s Isabelle Adjani) begs him not to go and is troubled by a strong premonition of danger. Despite her warnings, Jonathan arrives four weeks later at a large, gloomy castle. Out of the mist appears a pale, wraith-like figure with deep-sunken eyes who identifies himself as Count Dracula (Klaus Kinski). The events that transpire slowly convince Harker that he is in the presence of a vampire. Even still, he doesn’t realize the magnitude of danger he, his wife and his town are about to experience.
“It is about the mood and style of vampirism, about the terrible seductive pity of it all.” - Roger Ebert
Dr. Sandy Frieden taught German film at the University of Houston for 40 years, both face-to-face and online, and teaches now at The Women’s Institute of Houston. She has made dozens of presentations on German film, published more than fifteen articles on German cinema and literature, authored a study on German-language autobiography, and was lead editor for Gender and German Cinema: Feminist Interventions (Vol. 1 & 2).
