Together with Furtherfield and the Serpentine Galleries, the Goethe-Institut initiated a global collaboration examining blockchain technologies' potential for the arts and civil society by convening transnational networks of of leading international arts and tech institutions and communities. Our ambition is to seed a new decentralised ecology of open source cultural organisations, built by artists embedded in distributed global communities. Designed to activate collaboration across communities, disciplines and sectors, DAOWO (Decentralised Autonomous Organisation With Others) programmes enable participants to interrogate the benefits and pitfalls of blockchain developments for arts, culture and wider society from local perspectives. Events connect visionary artists, cultural workers and blockchain entrepreneurs, together with local initiatives, communities, institutions and businesses to seek new transnational systems and approaches.
The DAOWO Global Initiative Network
In February 2020, we invited cultural practitioners and representatives of non-profit arts and technology organisations from around the world to participate in the Artworld DAO – A 52hr** Gathering. Together we discussed, analysed and mapped the obstacles, opportunities, and implications for progressive, decentralised artworld automation.
This intense learning session and retreat in an English countryside estate allowed cultural community activists to host their own events in their localities and organisations and prototype a DAO (Decentralised Autonomous Organisation). Participants dissected the “old artworld” and drew on the emerging blockchain artsspace to prototype DAOs as art and for art, to increase solidarity, strangeness, and freedom to take collective action – to create new arts ecologies. A jury of experts awarded funding to prototype progressive art DAOs and artworld DAOs to four successful teams.
The DAOWO Sessions – Artworld Prototypes is a series of live online events bringing together cultural practitioners and representatives of arts and technology organisations and communities to share learning experiences and challenge the role of the arts in the emerging blockchain space. We are asking: how can DAOs learn from artists to interact with people and communities where they are?
A publication accompanies the series: 'Open sourcing the Philosopher's Stone - An Artworld DAO Reader' is the culmination of four years of cross-disciplinary practice focusing on the phenomenon of Artworld DAO as apparatus and stimulus for experimentation between artists, engineers, and mystics who are rebuilding global artworld imaginaries in a cooperative vein to shape new cultural value systems. The book contains contributors by leading thinkers and practitioners in the field, and is a collection of essays and artworks, along with interviews, conversations, blueprints, exercises and practices. It is intended as an informed archive and a toolkit for further use.
Past DAOWO Activations
The DAOWO blockchain laboratory and debate series for reinventing the arts has been running since 2017. Following the 2017-18 DAOWO series, the 2019 DAOWO UK Summits brought together the worlds of art and blockchain, and laid the foundations for a global transnational network.
Focused on establishing greater cooperation between the arts and blockchain industry, leading researchers and key artworld actors convened in a series of events. Discussions focus on potential cultural and social impacts, technical affordances and opportunities for developing new blockchain technologies for fairer, more dynamic and connected cultural ecologies and economies.
The DAOWO blockchain laboratory and debate series and the DAOWO UK Summits were developed by Ruth Catlow and Ben Vickers in collaboration with the Goethe-Institut. Penny Rafferty joined the curatorial team to co-develop the Artworld DAO – A 52hr** Gathering and DAOWO Global Initiative together with the Goethe-Institut.
Ruth Catlow is an artist, curator and researcher of emancipatory network cultures, practices and poetics that embrace more than human interests. She is artistic director of Furtherfield, a hub for critical explorations in art and technology, a community of radical friends who carry out fieldwork in human and machine imagination, founded with Marc Garrett in London, in 1996. She co-edited Artists Re:Thinking the Blockchain (2017). Ruth is director of DECAL Decentralised Arts Lab, a Furtherfield initiative which mobilises research and development by artists, using blockchain and web 3.0 technologies for fairer, more dynamic and connected cultural ecologies and economies.
Penny Rafferty, a writer and visual theorist based in Berlin, is one of the co-founders of the blockchain-based micro-economy-in-the-arts platforms Ishtar Gate and The Black Swan DAO. Her theoretical essays and creative texts have been commissioned for Cura, Kaleidoscope Magazine, Keen on, Taz.de, NRW Düsseldorf, Flash Art and Elephant Magazine amongst others. She co-developed the think tank series Artworld DAO’s with Ruth Catlow in coordination with The Serpentine and Futherfield and continues to work as both an auditor and researcher in the tech cultural field.
Ben Vickers is a curator, writer, publisher, technologist and luddite. He is CTO at the Serpentine Galleries in London, co-founder of Ignota Books and an initiator of the open-source monastic order unMonastery.