Culture
Magazine

Ten German virtual reality and 360-degree video projects you should know about.

European and Southeast Asian curators and museum directors met in Berlin on the invitation of the Goethe-Institut Jakarta. In a panel discussion, they exchanged views on the changes in exhibition practices.

Music producer and sound artist Hanno Leichtmann is the Goethe-Institut Artist in Residence in Wellington this year.

Riad Djemili left one of Germany’s top studios to co-develop a digital board game together with a friend. "The Curious Expedition" was a surprise hit. Now there is a sequel.

Poetry-Slammer Volker Strübing is the Goethe-Institut Artist in Residence in Christchurch this year.

In October 2017 the region Southeast Asia, Australia, New Zealand will hold its first conference for PASCH alumni in Jakarta. Two alumnae from New Zealand will be there.

Getting to know and learn from one another in German, 8,000 kilometres from Germany. Seventy-seven pupils from ten countries met in Thailand for the first Asia-Pacific German Olympics.

 Ten countries, one language. International encounters in German. Read about Chris Durrant's experience here.

2017 is Europe’s super election year. We have asked people in and outside of Europe: what do you wish for Europe in 2017? We sent their wishes out into the world under #mywishforeurope – on Twitter, Instagram, Facebook and goethe.de.

Performance artist Janine Eisenächer is the Goethe-Institut Artist in Residence this year.

The third annual co-production summit takes place in Auckland. This year the three day summit focuses on German/New Zealand co-productions. For this reason several German film-makers have been invited to speak.

Major cities are cultural contact zones and transit spaces, places of uncertainty and the foreign. The dynamism of change arising from this constitutes the essence of urbanity and is what lends metropolises their stability and attractiveness in the first place.

The New Zealand International Film Festival and the Goethe-Institut have commissioned Johannes Contag to compose an accompanying film score for the screening of the 1920s film classic "Variety".

To celebrate the 70th anniversary of the founding of the DEFA Studio in East Germany, the Goethe-Institut New Zealand presents in its Winter Film Series at the Auckland Art Gallery a film programme highlighting different themes and genres that were important to the DEFA.

Aus über 1,500 Einsendungen aus der ganzen Welt werden jedes Jahr die besten 40 Kurzfilme und sechs Musikvideos ausgewählt. Zu sehen sind die ausgesuchten Filme anschließend in mehr als 25 Kinos in ganz Neuseeland.

‚If you love your books – let them go’. This is how the New York Times described the project ‘BookCrossing’, which dates from April 2001. The Goethe-Institut New Zealand is now part of this exciting project.
 
 

Dramaturgy in contemporary dance is a hot topic, in a positive sense. Ideally, when preparing a piece, dramaturges are the choreographers’ best friends.

Cronyism with elites, one-sided reporting, abuse of power – many Germans are dissatisfied with the media. How warranted are their charges?

Revitalising West Berlin’s name in the field of architecture.

For just under two years, Berlin was for David Bowie a retreat and an inspiration. This was enough to give a formative impulse to German Pop music.

Today, joint residential models are experiencing a renaissance, whether as building groups, owners’ associations or joint building ventures.

We will be presenting one building in each of our 30 film portraits and hearing from its architects. The first five films in the series can be seen here.

Interesting participatory projects are emerging far away from metropolitan areas. Two cases.

Due to the picture overkill on the internet young generation photography is finding it hard to stand out and impress. A look at young talent promotion activities gives an insight on development trends.

On the 50th anniversary of the death of the photographer August Sander (1876-1964) in 2014, three exhibitions, in Cologne, Bonn and Munich, commemorated his portrait cycle “People of the Twentieth Century”.

Some considered him to be a “problem child”, others recognized that he was a genius. Regardless of what one might think about him, he will forever have a place in German cinema.

From The Murderers Are Among Us to Phoenix – the period immediately after the war has been dealt with time and again in cinema, such films always reflecting the way in which Germans view themselves.

The Goethe-Institut artist in residence this year is internationally renowned theatre practitioner Uta Plate. She will be based in Wellington from February until April 2015.

German Mumblecore focuses the spotlight on a variety of German cinema which relies on a great deal of improvisation. But what are the inherent characteristics of German a mumblecore film?

More and more people want to use urban space for their own projects. At the same time, many buildings stand vacant. Interim use agencies seek to broker between owners and interested parties. It is not always easy.

What doesn’t work is quickly replaced instead of repaired. But resistance is stirring.

More and more refugees from all over the world are seeking refuge in Germany. Numerous private initiatives are actively supporting asylum seekers and providing them with a new home.

Universities, businesses and local governments want to step up their efforts to make immigrants feel at home in Germany.

2014 marks the one hundredth anniversary of the First World War. Among the many new books in this anniversary year, newly re-issued standard works consort with publications of the last two years.

The example of the German-Turkish children’s choir of the Berlin Comic Opera shows how cultural education can work. An interview with Mustafa Akça, the project manager of “Selam Opera!”.

That a pop band should turn 40 is an event. All the more so when this band is called Kraftwerk and is the most influential German musical group.

Cinema does not necessarily need a movie theatre. In cities like Hamburg films are projected onto the facades of buildings. These mobile film performances have opened up new perspectives in the way public space can be used.