Seize the Time,
1 Million Roses,
Freed by the People,
All Power to the People - these are all titles of recent exhibitions on Angela Davis’s influence on the art world. The curators of these exhibitions come together for an extensive curatorial roundtable discussion about the philosopher, feminist, and Black Power activist’s influence on exhibition makers today.
Elizabeth Hinton will be talking about her exhibition
Angela Davis: Freed by the People, which was on view last year at Harvard’s Radcliffe’s Schlesinger Library on the History of Women in America. The exhibition featured Davis’s writing, speeches, and advocacy to invite visitors to reckon with our difficult history. Radcliffe’s Schlesinger Library on the History of Women in America now houses the trove of archival materials that Davis assembled—materials that capture the complex world she navigated in her ongoing struggle for freedom. Drawing from these sources, the exhibition was divided into four parts: Davis’s family background, childhood, and college years; her political work, trial, and rise to global prominence; her contributions as a feminist political philosopher; and her theorizing and advocacy around prison abolition. Together with the Papers of Angela Y. Davis, and a conference held at Radcliffe in October 2020, the exhibition offered new insights into Davis’s journey and served to catalyze fresh research into the kinds of hard questions Davis asked throughout her life. Freed by the People documented a global history, a personal journey, and a relentless quest for a more equitable future.
Kathleen Reinhardt, curator of
1 Million Roses for Angela Davis at Kunsthalle im Lipsiusbau, Dresden (SKD), will be focusing the East German perspective on Angela Davis’s influence. The exhibition takes the large scale solidarity postcard campaign organized by the GDR in support of Davis as an anchor to discuss her relevance on today’s issues, as well as the background, flaws, and unfulfilled potential of the unusual relationship between Davis and the GDR.
Donna Gustafson and
Gerry Beegan from the Zimmerli Art Museum at Rutgers University are preparing their upcoming exhibition
Angela Davis – Seize the Time (September 1, 2021-June 15, 2022) and will talk about the productive tension between the rich archive of historically grounded material relating to Davis collected by the Oakland-based activist/archivist Lisbet Tellefsen, and the work of contemporary artists who both reference Angela Davis’ historical impact and her continued importance in radical intersectional thought. Taking note of Davis’s own preference to see herself as part of a community, a collective of brothers and sisters and comrades, Gustafson and Beegan widen the archive’s focus on Davis and her story to include references (through reading and listening stations) to issues of police reform, prison abolition, racial justice, history and histories, pan African political ideas, and collective memory.
Lisbet Tellefsen and
René de Guzman will be joining forces to talk about their collective work on
Seize the Time and
All Power to the People.
Gerry Beegan is a design historian and critic. His research focuses on the materiality of the printed image, on intermedial relations, and on print’s role in creating and sustaining imagined collectivities, whether it be fin de siècle London or 1970s Oakland. He has recently contributed to two volumes focusing on gender and print culture from the 1890s to the 1930s. Beegan’s book
The Mass Image is an account of the emergence of photographic imagery in the popular press. He has published essays and reviews on design history and print practices in the
New York Times,
Design and Culture,
The Journal of Visual Culture, Spike and
The Journal of Design History. He teaches in the Department of Art & Design, Mason Gross School of the Arts, Rutgers University.
Donna Gustafson, is the Interim Director, Curator of American Art and the Mellon Director for Academic Programs at the Zimmerli Art Museum at Rutgers University. Her research interests include photography and social protest, American art of the twentieth century, particularly of the 1960s and 1970s, and contemporary art. Her recent publications and exhibition projects include
Subjective Objective: A Century of Social Photography;
Guerrilla (and other) Girls: Art/Activism/Attitude;
Jessie Krimes: Apokaluptein: 16389067;
at/around/beyond: Fluxus at Rutgers. She has published reviews and articles, presented papers, and organized symposia on a variety of American and contemporary art topics.
René de Guzman's curatorial practice has explored the relationship between visual culture and political power. The exhibition on Angela Davis highlights the dynamic space of creativity and radicality that Davis represents. She is an historic figure who is at once a political leader and cultural icon.
Elizabeth Hinton is a historian of American inequality who is considered one of the nation’s leading experts on policing and mass incarceration. Hinton’s past and current scholarship provides a deeper grasp of the persistence of poverty, urban violence, and racial inequality in the United States. She is Associate Professor of History and African American Studies at Yale University and Professor of Law at Yale Law School and the author of the award-winning book
From the War on Poverty to the War on Crime: The Making of Mass Incarceration in America and the forthcoming
America on Fire: The Untold History of Police Violence and Black Rebellion Since the 1960s, which will be released in May. Hinton's articles and op-eds can be found in the pages of
The New York Times,
The New York Times Book Review,
The Washington Post,
The Atlantic,
Boston Review, and
Time. She served as lead curator on the
Angela Davis: Freed By the People exhibition, which was held at Schlesinger Library on the History of Women in America at Harvard University's Radcliffe Institute for Advanced Study from September 2020 to March 2021.
Lisbet Tellefsen is an Oakland, California based community archivist, collector, curator and publisher. Her archives and collections range from political graphics and Cuban posters to Angela Davis and the Black Panther Party. Her archives are frequently used for academic research and as an archival consultant she has worked on numerous films including
Black Panthers: Vanguard of the Revolution and
Free Angela and All Political Prisoners. Her collections have been exhibited most recently in
Angela Davis: OUTspoken, currently online at the GLBT Historical Society;
The Art of Collaboration at Yale's Beinecke Library;
Get With the Action: Political Posters from the 1960s to Present at SFMOMA; and
Black Power and
All Power to the People: Black Panthers at 50 at the Oakland Museum of CA. Over 100 objects from her collection now reside in the permanent collections of SFMOMA, the Oakland Museum of CA, and the Smithsonian National Museum of African American History and Culture with a dozen pieces from the Tellefsen collection featured in the Smithsonian's 2016 inaugural exhibit.
Kathleen Reinhardt is an art and cultural historian. She has been the curator of contemporary art at the Albertinum in Dresden since 2016, where she has curated the exhibitions
Marlene Dumas: Skulls,
For Ruth, The Sky in Los Angeles and
Demonstration Rooms (co-curated with Isabelle Busch). She received her doctorate from the Arts of Africa department of the Freie Universität Berlin in 2017 with a dissertation on contemporary African American art, for which she received a scholarship from the Fulbright Commission as a visiting researcher at the University of California, Santa Cruz. She has taught at Freie Universität Berlin and Technische Universität Dresden. Her writing has appeared in art catalogs as well as the magazines
African Arts,
Art Margins,
Contemporary And, and
Kaleidoscope.
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