Film Streaming Past as Process, Pt. II: Speculative History-Making

Past as Process: Pt. II Cover © Ayşe Polat, Mo Asumang

Thu, 06/24/2021 -
Sun, 06/27/2021

7:00 AM - 7:00 AM

Online

Curated by Karina Griffith, this virtual film program is presented as part of the Goethe-Institut North America's project Shaping the Past.

Films are available to viewers in the USA, Canada, and Mexico from
06-24-2021, from 7:00 AM (PDT) through 06-27-2021 at 7:00AM (PDT). 

RSVP VIA EVENTIVE Past as Process: ​Speculative History-Making
These films do not just tell history, they pose questions and place new characters in classic stories to interrupt what we think we know about German legends and who gets to be legendary.

Gräfin Sophia Hatun (1997) 
Germany/Turkey, (1997) 15 minutes. In German and Turkish with English subtitles. Director: Ayşe Polat
Polat’s film depicts an encounter between a Turkish man and a German woman that predates the Wirtschaftswunder of the 1950s. Countess Sophia Dorothea von Wilhelmsburg was imprisoned in her husband’s castle in the late 1600s as punishment for falling in love with another man. Polat envisions her complex relationship with her servant, a Turkish refugee of the wars between Poland and Russia and the Ottoman Empire. The cyclical nature of the story is duplicated in the script and the cinematography. Not only does the rupture in the relationship between the Countess and her quiet servant begin at the same place that it ends, the spiraling of the performances also questions the passage of time and its supposed linearity.

Roots Germania, (2007) 
Germany, (2007) 18 minutes. In German with English subtitles. Director: Mo Asumang
When a German neo-nazi band performs the lyric, “this bullet is for you, Mo Asumang,” the journalist and TV presenter sets out to overcome her fears and investigate the roots of racism in German culture. With tenacity and courage, Asumang interrogates neo-nazis and eventually takes the advice of one literally: Asumang goes back to where she came from (no, not to her birthplace in Kassel – to the home of her father: Ghana). Asumang turns the provocation into an opportunity and meets with her family to learn more about her Akan heritage. Rather than look for differences, Asumang finds similarities between German and Ghanaian culture. Roots Germania tells a speculative history of Germany, one where xenophobia and hate are a contradiction to Germanness.

Shaping the Past / Gestaltung der Vergangenheit is a project of the Goethe-Instituts and Pop Ups in North America (Canada, USA, and Mexico) that connects with and builds on the work of emerging leaders of local, national, and transnational movements to remember through reflection and with urgency. It is a partnership between the Goethe-Institut, the Monument Lab, and the Federal Agency for Civic Education (Bundeszentrale für politische Bildung / bpb).

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