Gabi Schaffner is a sound and radio artist who plans to create a series of site-related radio works that channel locality, voice and individual perspective into poetic street performances. Parallel to this, she will pursue her sound mapping of applied botany and urban garden communities within the frame of her garden radio project Datscha Radio.
Gabi Schaffner studied German and American literature and ethnology at the Johann Goethe University in Frankfurt / Main. Since the late ‘80s, she has been an active contributor to literary journals and underground magazines. Her interest in photography led to a second degree at the Hamburg School of Fine Arts (with Johannes Bernhard Blume), from where she graduated with honours. Parallel to her studies she worked as a performer, storyteller and curator in the fields of experimental literature, music and film. Between 2002 and 2006, she maintained the interdisciplinary platform "Dada de Nada" in collaboration with activists from the Hamburg art, culture and DIY scene.
A DAAD scholarship in Iceland in 2001 gave rise to her first work with sound recordings. This was followed by publications with the Frankfurt Field Recording label "gruenrekorder" and, from 2005, by commissions for public radio stations ("Der Klang des Schnees" with Götz Naleppa, Deutschlandradio). In addition, she worked as a translator and writer for art publishers and galleries (among others, transkript, Verlag für Moderne Kunst, textem, The Green Box)
© Mathias Deutsch Gabi Schaffner's artistic practice is determined by the methods of poetic ethnography in connection with fluxus-like mise-en-scènes and performances. Much of her work originates from her journeys.
A scholarship from the Kone Foundation in Helsinki facilitated the research for her fictitious biography about the avant-garde composer Martti Mauri. "Otto Mötö. Into the universe of Finnish motor music” won the prize "Radio play of the month" from the German Academy of Performing Arts in 2012. The same year, the internationally renowned radio project Datscha Radio was founded together with reboot.fm, Berlin’s art radio station.
Since 2015, she has been using micro-FM transmitters to create local radiospheres. "Electric Fairy Grounds" for instance, realised in Bogong, Australia in April 2017, is a multipart, collaged radio play that narrates the history of the region from different perspectives and in various locations in the terrain. It was made audible via three hidden micro-FM transmitters, and only accessible by hiking from station to station.
Gabi Schaffner also documented the Radiokunstfestival Radiorevolten 2016 in Halle in text and images. Currently, she is preparing (with Datscha Radio III) a five-day garden radio festival, which will take place in Berlin from the 25th to the 29th of August.
During the bangaloREsidency, she will work together with Maraa to create a series of site-related radio works that channel locality, voice and individual perspective into poetic street performances. The sound recordings of these performances will subsequently resurface as a poly-vocal radio installation. At a later point in time they will be incorporated in the production of a 7" single, intended for use as a DJ tool.
Parallel to this, she will pursue her sound mapping of applied botany and urban garden communities, and make them available to Maraa's radio community too.
Indiranagar was the neighbourhood I was staying in, and while it clearly ranked among the "better neighbourhoods,", it was very different from that would typically mean in a city like what you would perceive as such in Berlin. YetNonetheless, the trees, the sounds, the speed, the brightness and brilliance, the colours, the distances, the smells and the languages were also all differd as wellent. One of the biggest surprises was that Bangalorians speak English with each other. India has more than a hundred different languages, and it cannot be taken for granted that the person next to you on the street comes from the same language arearegion.
I had been invited by media and arts collective maraa to contribute to their project "I Live Here". "I Live Here" explores relationships and new definitions of identity, gender, language and locality in the urban space. The members of the collective work situationally;, as performers, radio producers and as organizers of concerts and happenings.
I immediately felt very comfortable with Ekta and Angarika, Yashu, Ram and Anushi., Hhowever, due to the complexity of their and my own activities (also: botanical excursions), there were occasional minor confusions. Perhaps it is a "typical German" characteristic to tackle an idea right away, maybe it is perhaps not. Maraa asked me to work with a small group of students (from law to art studies) on sound and identity as part of their "I Live Here" project. However, the straight line is not the shortest route in India, s. So none of the participants had dealt with recording devices so farbefore. Gauri Lankesh's murder had just happened and engaged the public, the media, and of course the minds of my students. We attended one of the extensive demonstrations in College Park, made sound recordings, or wrote down our impressions.
"The Megaphone Guerrilla", our poetic street performance series, came about in the light of our new texts and also as a new personal approach to the public. Ekta and I bought megaphones - an exciting shopping spree through, the "electric district" of the Krishna market! We had just had time for one and a half rehearsals and then our little group went off to the first metro station (out of four) to share songs and sounds with the people.
Between Amongst all thatis: an excursion to the botanical paradise of Gurukula in the Ghat Mountains of Kerala, tantamount necessitatingto adventurous train and bus travels and jeep rides. There were interviews about the horticultural scene in Bangalore with Poonam Bir Kasturi from Daily Dump, Richard Gomes from WorkbenchProject in Halasuru and Suresh Jayaram from the gallery Shanti Road, as well as a trip to Tirur to the Ayurveda garden of Kottakal as part of a self-directed experiment in by the Ghandian Health Hygiene Home where great emphasis is put placed on coconut milk massages, being in touch with nature and the cultivation of the local body of songs.
India means the impossible becoming simple, the seemingly simple becoming strangely complicated. It took more than a week to make an appointment for the visit and secure an interview with the director of the gardens, only to then find out that communication is also possible by using the Latin plant names: Not everybody is fluent in English.
While staying at the cococut cookoo’s home, I started on preparations for "Resounding Bangalore", the final performance planned for late October. Composition, action and radio art -, all in one, and a private home (I live here!) as the location. At the same time I redesigned the print documentation of our Megaphone Guerilla Walk, which was finally effectively tabled on time.
The bangaloREsidency was a very intense time - even a month and a half after my return to Berlin the impressions keep echoing in my mind. The collaboration with maraa has greatly enriched my artistic work. The fact that Ekta, Angarika, Yashu, Anushi and Ram possessed a network of friendships and contacts that I as a simple traveler could have never built up so quickly proved invaluable. Whatever I needed, they always had an idea for how to implement it, and a phone number. Above all, they were registered with the Indian bus and train companies, which was a prerequisite to buy tickets online.
Furthermore, I am very grateful to the Goethe-Institut for the excellently organised excursions and the support of the ‘buddies’, in my case Nandita, who was there for all other organisational questions.
India is ‘augmented reality’, an augmented reality that goes far beyond what is imprinted on - even as an artist - one’s senses and dimensional perceptions from Central Europe. I am extremely grateful to maraa and the Goethe-Institute, above all Maureen Gonsalves and Claus Heimes for their invitation. I can also very well imagine further collaboration in the future. My hard drives still host material for several future radio broadcasts and compositions; for now, however, you may view and/or download the documentation "The Megaphone Guerrilla" on academia.edu. Further contributions and interviews on the horticulture(s) of India will be soon available as a part of my Berlin/international project Datscha Radio online.